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Full Description
This book aims to overcome the still prevailing schizophrenic divisions among sciences, humanities, the arts, and multiple forms of ecological knowledge. Discover how these seemingly disparate fields converge to shape the future of biocultural conservation and restoration.
The groundbreaking book challenges the traditional divide between the sciences and humanities, offering fresh insights from ecologists, philosophers, artists, and emerging scholars. It is organized into three main parts that address the theory, practice, and communication of biocultural conservation and restoration. The first part presents philosophical concepts and issues that illuminate the ontological, epistemological, aesthetic, and ethical dimensions of biocultural conservation and restoration..
In Part II, a diverse array of art projects from around the world are presented to illuminate the values of biocultural diversity. These initiatives foster deep connections between people and their local environments, often inviting audiences to encounter, observe, touch, and appreciate the often-overlooked biodiversity -such as mosses, lichens, and insects. These artistic endeavours demonstrate that arts can be a powerful tool for communicating the ecological and aesthetic significance of biocultural diversity, and it also is a vital catalyst for positive socio-ecological changes. By engaging communities, these projects contribute to to sustainable biocultural stewardship.
In Part III, different chapters emphasize pedagogical and communicative strategies for linking arts to more inclusive biocultural conservation and restoration. By integrating arts and education, this approach enhances biocultural communication.
This book is oriented towards a broad public interested in the intersections of environmental issues and the arts. Because of its "interdisciplinary" nature, this volume provides valuable insights that will enhance your understanding and inspire new ideas for innovative collaborations.
Contents
.- 1.Biocultural Communication: Arts and Sciences for Conserving Biological and Cultural Diversity.
.- Part1 Theoretical Inquiries: Linking Art with Biocultural Conservation, Restoration, and Communication.
.- 2.Introduction to Part I. Theoretical Inquiries: Linking Arts with Biocultural CRC.
.- 3.The Contribution of Eugene Hargrove to Environmental Ethics and Aesthetics: A Biocultural Tribute.
.- 4.Biocultural Ontologies, Art, and Conservation.
.- 5.The Precarious Art of Cecilia Vicuña: Finding the Ecological and Sacred Value of the Small and the Discarded.
.- 6.Interspecies Co-inhabitation: A Dialogue between Chinese philosophical traditions and Biocultural Ethics.
.- 7.Plants, Poetry, and Painting: A Biocultural Encounter with the Chinese Four Gentlemen.
.- 8.Embodied Encounters: Biocultural Dialogues and Pedagogies Beyond the Human.
.- 9.How the Invisible Becomes Visible: Situating Scientific Illustration in Biocultural Communication.
.- 10.Arts and the Environment after the Emergence of Artificial Intelligence.
.- 11.A Bird in the Hand: Experiencing Birds in the Subantarctic.
.- Part2 Practical Knowledge Embedded in Biocultural Diversity.
.- 12.Introduction to Part II. Practical Knowledges Embedded in Biocultural Diversity.
.- 13.FRAGILITY OF ENCOUNTERS" IN SUBANTARCTIC BIOCULTURAL DIVERSITY.
.- 14.Healing Garden: Eco-art Actions at Sichuan Fine Art Institute.
.- 15.Small but Essential: How to Introduce the Public to Easily Overlooked Organisms?.
.- 16.Sublimity in Miniature: Aesthetic Viewing and the Miniature Forests of Cape Horn.
.- 17.Collecting Photos in the Miniature Forest: A Biocultural Approach for Bryophyte Conservation in the Cape Horn Biosphere Reserve.
.- 18.The Birth of Mosses: "The Trailblazers on Ruins".
.- 19.Biocultural Co-inhabitancy: An Examination on Scientific and Indigenous Nomenclature of Bryophytes.
.- 20.Communion.
.- Part3 Biocultural Communication and Conservation Across Urban, Rural, and Remote Ecosystems.
.- 21.Biocultural Communication and Conservation across Urban, Rural, and Remote Ecosystems.
.- 22.A Biocultural Sketch of the Chinese black cardamom, Cao-guo (Lanxangia tsao-ko).
.- 23.Immersion and Interactiveness: Eco-themed Art Exhibitions and Biocultural Communication in East Asia.
.- 24.A Mere Touch of Green: Reconnecting People and Shanshui through Poetic Dance Drama.
.- 25.Photovoice: A community-based research and communication tool for wildlife conservation and coexistence.
.- 26.Nature-based Solutions of Rural Revitalization: The Xunjiansi Village of Wuyuan County.
.- 27.The Wangshan Life Model for the Revitalization of Rural Villages: The Xixinan Case.
.- 28.Indigenous Lamkaang Naga Loh Kchet: Collective Interdependence in northeastern India.
.- 29.Carekeepers.
