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Full Description
Based on extended field research and meetings with members of Morocco's film world, this book traces the development of Moroccan cinema over the past three decades. Drawing from his extensive work on Moroccan cinema, Kevin Dwyer discusses important aspects of Moroccan film culture such as freedom of expression, the role of women, cultural diversity, the promotion of culture, the role of humor, the shifting emphasis on the urban, autobiographical aspects of films, and the development of documentary films. Dwyer closely analyzes a significant number of Moroccan films, providing crucial details about filmmakers; historical context; and comparisons with the cinemas of Tunisia, Algeria, and Egypt.
Contents
Chapter 1: Introduction: an anthropologist explores Moroccan cinema.- Part I: Moroccan Cinema into the 21st Century.- Chapter 2: Moroccan Cinema in its Regional Context(2000).- Chapter 3: Moroccan Cinema: probing a paradox(2000-2006).- Part II: Conversations with Filmmakers.- Introduction to Part II: Setting the conversations in context.- Chapter 4: Abdelkader Lagtaa: challenging accepted views(1999-2002).- Chapter 5: The "neo-real," the social, and the symbolic in the films of M. A. Tazi(1998-2000).- Chapter 6: One decade, two comedies, two filmmakers(M.A.Tazi, Hakim Noury)( 2004-2007).- Part III: Themes and Issues in this century's first decade.- Chapter 7: Moroccan cinema, the cultural exception, and cultural diversity(2006-7).- Chapter 8: Life history in anthropology and Moroccan cinema(2005-2010).- Chapter 9: Freedom of Expression in Moroccan Cinema and the Press(2009).- Part IV: The State of Play Two Decades In.- Chapter 10: Family Resemblance: An Anthropologist Looks at Moroccan Documentary(2020).- Chapter 11: Taking Stock of the Paradox(2008-2021).- Chapter 12: Conclusion: whither the Moroccan filmmaker's odyssey?(2024).- Appendix: Research in Morocco over five decades.
