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Full Description
This open access edited volume focuses on the representations, perceptions, and experiences of women who do not have children against the backdrop of traditional gender norms, pronatalist policies, and patriarchal structures. While involuntary and voluntary childlessness have typically been treated separately and studied within different disciplines in most previous scholarship, contributing authors explore non-motherhood beyond the involuntary/voluntary divide and consider a wide range of conceptualizations of women who do not become mothers. The editors bring together a variety of perspectives from different national contexts and disciplines, including family studies, gender studies, literary and cultural studies, sociology, and film studies to explore non-motherhood. The book focuses on how women who choose or experience non-motherhood are negotiated, felt, represented, and received.
Contents
Chapter 1. Conceptualising Non-Motherhood.- Chapter 2. Reclaiming Non-Motherhood: Abjection, Laughter, and Failure in Twenty-First-Century Swedish Narratives of Childlessness.- Chapter 3. (Non)-Motherhood and the Narrative of Self in Nuria Labari's The Best Mother of the World.- Chapter 4. Meanings, Experiences, and Perspectives on Non-Motherhood in a Spanish Context.- Chapter 5. Alternative Happy Endings? A Qualitative Study of Non-Mothers in Lithuania.- Chapter 6. The Incomplete Mother as Non-Mother: A Study of Secondary Infertility in Helen Davies' More Love to Give.- Chapter 7. Pregnancy Loss in Contemporary Italophone Literature.- Chapter 8. Infertility, Desire for Motherhood, and Surrogacy in Miguel de Unamuno's Dos madres.- Chapter 9. Autonomy, Autocreation and Agency: Radical Non-Motherhood in Amandine Gay's Une poupée en chocolat (2021).- Chapter 10. Choosing Childlessness: Familial and National Acts of Resistance in Preti Taneja's We That Are Young (2017).- Chapter 11. Voluntary Childlessness in the Spanish Graphic Novel: Irene Olmo's No quiero ser mama (2020).- Chapter 12. Adapting (to) Non-Motherhood: Ulrike Kofler's film What We Wanted (2020).
