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基本説明
"De toute façon, c'est finalement assez simple : le raffinement, le souhait d'une perfection, l'identification du degré d'exigence supérieur - sans pour autant y atteindre toujours, mais tendre vers celui-ci, trouver une satisfaction déjà immense - semblent faire partie intégrante de toutes les activités qu'Eric Schmitt embrasse." Pierre Doze. Accompagné d'un essai de Pierre Doze et d'un catalogue raisonné, ce premier livre sur Eric Schmitt, designer, sculpteur, mais aussi cavalier et musicien, revient sur près de trente ans de création et plus de 570 oeuvres.
Full Description
"My work is a result of the sculptor I almost am, the architect I would like to have been and the designer I am not entirely." Eric Schmitt.
Eric Schmitt, born in 1955, makes objects in the grand tradition of the decorative arts. His unique creations of precision and laconic luxury were first shown in the mid-1980s by VIA, prior to being edited by Néotù and Pierre Staudenmeyer, and by En Attendant les Barbares. Experimenting with the contrast of materials - glass and steel, marble and Corian, slate and parchment - his supple forms manifest a constant tension of one kind or another, whether between thick and thin, transparent and opaque, solid and fragile, dark and coloured, silent and sonorous.
With pieces of his mentioned by Bret Easton Ellis in American Psycho, Eric Schmitt has worked with the leading editors in design around the world: Christian Liaigre, as well as the Dutko, Ralph Pucci, Cat-Berro, and IBU galleries, to name a few.
Text in English and French.
