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Full Description
Historically, Los Angeles and its exhibition market have been central to the international success of Latin American cinema. Not only was Los Angeles a site crucial for exhibition of these films, but it became the most important hub in the western hemisphere for the distribution of Spanish language films made for Latin American audiences. Cinema between Latin America and Los Angeles builds upon this foundational insight to both examine the considerable, ongoing role that Los Angeles played in the history of Spanish-language cinema and to explore the implications of this transnational dynamic for the study and analysis of Latin American cinema before 1960. The volume editors aim to flesh out the gaps between Hollywood and Latin America, American imperialism and Latin American nationalism in order to produce a more nuanced view of transnational cultural relations in the western hemisphere.
Contents
Table of Contents
Acknowledgements
Introduction, Colin Gunckel, Jan-Christopher Horak, and Lisa Jarvinen
El espectáculo: The Culture of the revistas in Mexico City and Los Angeles (1900-40), Jacqueline Avila
Ramona in the City: Mexican Los Angeles, Dolores Del Rio, and the Remaking of a Mythic Story, Desirée J. Garcia
Please Sing to Me: The Immigrant Nostalgia that Sparked the Mexican Film Industry, Viviana García Besné and Alistair Tremps
A Mass Market for Spanish-language Films: Los Angeles, Hybridity, and the Emergence of Latino Audiovisual Media, Lisa Jarvinen
Cantabria Films and the L.A. Film Market, 1938-1940, Jan-Christopher Horak
A Cinema between Mexico and Hollywood: What We Can Learn from Adaptations, Remakes, Dubs, Talent Swaps and Other Curiosities, Colin Gunckel
On the NUEVO TEATRO MÁXIMO DE LA RAZA: Still Thinking, Feeling and Speaking Spanish on and off Screen, Nina Hoechtl
Notes
Bibliography
Index
