Full Description
In early twentieth-century Berlin, the museumsdebate was set into motion with Wilhelm von Bode's sweeping proposal to reorganize a group of the city's museums. Between 1907 and 1910, two particularly striking series of articles appeared in the journal Museumskunde: Journal for the Administration and Technology of Public and Private Collections. The first was a six-part essay by Otto Lauffer on history museums and the second was a ten-part piece by Oswald Richter regarding ethnographic museums, and both initiated a century of important dialogue.
Presented together here as Collecting, Displaying, and Interpreting Material Culture, these first full English translations of the two book-length articles remain unequalled presentations about the different implications of art, historical, and ethnographic museums. They show how sophisticated the discussion of museums and museum display was in the early twentieth century, and how much could be gained from revisiting these reflections today. Accompanied with short commentaries by a group of museum professionals, these translations and associated commentaries allow for an intervention and intensification of the current level of debate about museums, one that will further invigorated by the opening of the Humboldt Forum in Berlin in 2019.
Contents
Series Editor's Preface
Acknowledgements
A Note on the Text
Introduction: What Kind of Knowledge Is Museum Knowledge?
Peter N. Miller
Part I: From the pages of Museumskunde
The Historical Museum: Its Character, Its Work, and How It Differs from Museums of Art and Applied Arts
By Otto Lauffer
On the Ideals and Practical Tasks of Ethnographic Museums
By Oswald Richter
Part II: Reflections on Reading Lauffer and Richter Today
Youth and Arrogance
Julien Chapuis (Bode Museum, Berlin)
Oswald Richter and "The Purity of the Specific Local Culture"
Edward Cooke, Jr. (Yale University)
"Certain Secondary Tasks of Ethnographic Museums": Richter's Writings and the Role of Ethnographic Museums in Germany's Colonial Period
Viola König (Freie Universität Berlin, Berlin)
Perfecting the Past: Period Rooms Between Disneyland and the White Box
Deborah L. Krohn (Bard Graduate Center)
Categories with Consequences
Alisa Lagama (Metropolitan Museum of Art)
Visions of Juxtaposition: Peiresc/Bataille: Monuments/Documents
Peter N. Miller (Bard Graduate Center)
The Future in the Past
Glenn Penny (University of Iowa)
Triangulating Art/Artifact: Indigenous Studies as the Third Term
Ruth Phillips (Carleton University)
Richter and Us
Jeffrey Quilter (Peabody Museum of Anthropology, Harvard University)
An Attempt at Order in a Time of Flux
Matthew Rampley (Masaryk University Brno)
Words and Things
Anke Te Heesen (Humboldt University)
Mix It Up: Five Observations on Collections and Museums
Nicholas Thomas (Museum of Archaeology and Anthropology, Cambridge University)
Life and Death in the Museum
Céline Trautmann-Waller (Université Sorbonne Nouvelle-Paris 3)
Photographs, Showcases, and Multiple Agencies: Modes of Representation and Directions of Gaze
Eva-Maria Troelenberg (Utrecht University)
The Museum Beyond Walls
Mariët Westermann (NYU Abu Dhabi)
Conclusion: Max Weber in the Museum
Peter N. Miller
Index
