Full Description
Daleside, in the Gauteng Province, once had a
predominantly white population and is isolated in the industrial outer suburbs of Johannesburg.
Its separation has resulted in Daleside's residents becoming increasingly inward-facing, and in the
space of a decade it has become an isolated ghost town with a dwindling population consisting of
mostly mine workers and smallholders.
Commissioned by Rubis Mécénat through their Of Soul and Joy programme, the resulting
photographs provide a counterpoint—Clément-Delmas's images show dignified figures whose
dreams are at odds with reality whereas Sobekwa's landscape portraits show no such escapism.
Looking beyond the deep-seated Black/white binary, they depict the poverty afflicting Black
and white residents alike as forgotten members of society stuck in a dead end. Contrary to his
expectations of what he might find there, Sobekwa came face to face with the reality of Black and
white residents experiencing the same poverty out of eyeshot of the tightly-guarded houses of
the wealthy. In Daleside: Static Dreams, the images by each photographer are presented alongside
each other in a foldout book so they can be read individually or as pairs.
