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Full Description
Book of Ruins offers a survey - not encyclopedic, but substantial - of leading moments when the fact and idea of ruins were taken up by writers, travellers and artists: painters, film makers, landscape architects, and architects. Gathering together short texts and extracts that describe and reflect on ruins, dating from remote antiquity (Scipio shedding tears when viewing the destruction of Carthage) to present times (the ruins of a modern city, portrayed in the film Requiem for Detroit), it provides a perspective upon what the past has meant to different cultures at different times. Following an introductory essay, the book includes 70 entries, chronologically ordered, each including an attractive indicative image (or two), an introductory commentary by the authors, and the text itself. The texts come from designers (from Bernini through Piranesi to David Chipperfield) as well as other artists (John Piper), and from literary figures (Goethe, Wordsworth, Byron and Shelley, Hugo, and Hardy). It concludes by discussing what we do with ruins by way of preservation, conservation, adaptive reuse and appropriation, and contemporary loss and ruin, as illustrated by 9/11 and the Neues Museum and highlighting the continuing relevance of the ruin.
Contents
Introduction. Ancient and Mediaeval, including Scipio & Polybius, Pliny the Younger, Theoderich on Jerusalem and Petrarch on Rome. The Renaissance, including Edmund Spenser, John Webster, Inigo Jones, and Gianlorenzo Bernini. The 18th century, including Thomas Burnet, John Vanbrugh, Daniel Defoe on Travelers in Great Britain, Alexander Pope William Kent, Giovanni Battista Piranesi, Fountains Abbey & Studley Royal, Denis Diderot, J. W. von Goethe, Humphry Repton, and John Soane. The 19th Century, including William Wordsworth, Lord Byron, Percy Bysshe Shelley, Victor Hugo, John Ruskin, Viollet le Duc, William Morris and Thomas Hardy. Modern & Contemporary, including Le Corbusier, John Piper, Louis I. Kahn, Robert Smithson, Aldo Rossi, Carlo Scarpa, David Chipperfield and The High Line.
