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Full Description
Essays exploring the intersections of politics and theory through medievalism in film, literature, gaming, and political movements.
Two vital, increasingly intertwined areas of interest are addressed by this collection: politics and theory. The volume begins with a general discussion of how the Middle Ages have been particularly mediated by subsequent artifacts. The essays then address: the motivations and machinations behind Joan of Arc AI in Gregory Benford's 1989 contribution to the Time Gate anthologies; medievalist historiography in Salman Rushdie's 1983 novel Shame; medievalist identity in Rome's contemporary far-right movement; Viking imagery in and around the Make America Great Again campaign; Robin Hood avatars in mid-twentieth-century B-westerns; medievalism by the Young German Order during the 1920s and 30s; the visibility of race in David Lowery's 2021 film The Green Knight; Orientalism and race in the 1974 game Dungeons & Dragons; manifestations of Chaucer's Pardoner in Kim Zarins' 2016 novel Sometimes We Tell the Truth; gender performance and sexuality in Maria Dahvana Headley's 2020 translation of Beowulf; and the term "Anglo-Saxon," particularly relative to the Ansax-1 and ANSAXNET online communities.
'"Donald the Orange": Vikings in and around the Maga Movement' is made Open Access under the Creative Commons licence CC BY-NC-ND.
Contents
List of Illustrations
Preface
Karl Fugelso
Medievalism, Reception Theory, and Media Archaeology: What is the Object of Reception?
Daniel T. Kline
Joan of Arc AI in Time Gate (1989): A Medieval Simulacrum in the Twenty-Second Century
Scott Manning
Navigating the Phantasmic: Medievalism and Mythic Historiography in Salman Rushdie's Shame
Sameera Abbas
Presente: Medieval Symbols and Mythic Identity in Rome's Far-Right Imaginary
Martina Marzullo
The Christian-Democratic Medievalism of the Young German Order
Patrick James Eickman
"Donald the Orange": Vikings in and around the Maga Movement
Tom Birkett
"Back in the Saddle Again" in Sherwood Forest: Robin Hood Avatars in Hollywood B-Westerns from the 1930s, 40s, and 50s
Kevin J. Harty
"Make Merry, and Tell Me What You See": Visibility of Race inColonialist Fantasy and David Lowery's The Green Knight (2021)
Sabina Rahman
From Chainmail to Tasha's Cauldron: Medievalism, Orientalism, and Race in Dungeon and Dragons
Helen Young and Mat Hardy
Undoing Chaucer's Pardoner in Kim Zarins' Sometimes We Tell the Truth
Mohamed Karim Dhouib
"War-wedded to a woe-bringer": Gender Performance and Queer Sexuality in Maria Dahvana Headley's Translation of Beowulf
Timothy S. Miller and Teddy Valentine
Ansax-l, ANSAXNET, and Anglo-Saxon: The Good, the Bad, the Weird, and the Wonderful
M. J. Toswell
Contributors
