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Full Description
In a comprehensively revised and updated new edition, James Naremore provides an illuminating critical account of the films of Stanley Kubrick, from his earliest feature, Fear and Desire (1953), to the posthumously-produced A.I. Artificial Intelligence (Steven Spielberg, 2001). Naremore offers provocative analyses of each of Kubrick's films, considering his emphasis on the absurdity of combat, as in Paths of Glory (1957) and Full Metal Jacket (1987), the failure of scientific reasoning, as in 2001 (1968), and the fascistic impulses in masculine sexuality, as in Dr Strangelove (1964) and Eyes Wide Shut (1999). He argues that while Kubrick was a voracious intellectual and a life-long autodidact, the fascination of his work has less to do with the ideas it espouses than with the emotions it evokes.
Combining close readings with new insights into the production histories and cultural contexts of key films, Naremore provides a concise yet thorough discussion that will be useful to students of Kubrick's filmmaking and cinephiles who seek a deeper insight into the work of this perfectionist genius.
Revised throughout, this new edition also includes a fully updated bibliography of critical writings on Kubrick's cinema.
Contents
List of Figures
Acknowledgements for the Revised Edition
Acknowledgements for the First Edition
Introduction to the New Edition: Kubrick's Cold Modernism and Major Themes
PART I Prologue
1. Portrait of the Late Modernist as a Young Photographer
2. Silence, Exile and Cunning
3. Grotesque Aesthetics
PART II Early Kubrick
1. No Other Country but the Mind
2. Dream City
PART III Kubrick, Harris, Douglas
1. The Criminal and the Artist
2. Ant Hill
3. Dolores, Lady of Pain
PART IV Stanley Kubrick Presents
1. Wargasm
2. Beyond the Stars
3. A Professional Piece of Sinny
4. Duelist
5. Horrorshow
PART V Late Kubrick
1. Warriors
2. Lovers
PART VI Epilogue
1. Summation
2. Some Unproduced Films
3. Love and Death in A. I. Artificial Intelligence
Filmography
Select Bibliography
Index
