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Full Description
The annual Beijing Film Academy Yearbook highlights the best academic debates, discussions and research from the previous year, as previously published in the highly prestigious Journal of Beijing Film Academy. This volume brings together specially selected articles, appearing for the first time in English, to bridge the gap in cross-cultural research in cinema and media studies.
The book is the latest in the Intellect China Library series to produce work by Chinese scholars that have not previously been available to English language academia. Covering the subjects of film studies, visual arts, performing arts, media and cultural studies, the series aims to foster intellectual debate and to promote closer cross-cultural intellectual exchanges by introducing important works of Chinese scholarship to readers.
Contents
1. Director Lee Hon Cheungs "Seducteur" film series
2. Lenses, Dark Boxes, and New Sensory Experiences
3. Miranda Yang's Comeback and Curtain Call
4. Restructuring and Transformation amidst Cataclysmic Change
5. Taking a Microscope to Lam Nin-Tung's "Wandering Lens"
6. The Interalogical Aesthetic in Chinese Cinema
7. The Link between PreCode Hollywood and 1930s Leftist Cinema
8. The National Language Campaign, Film Censorship and Dialect Cinema
9. The Otherworldly Vision of Science Fiction Transposed onto China
10. Zhang +Wentian and the Fate of 1930s the Revolutionary Petite Bourgeoisie
