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Full Description
Creative and cultural industries are growing in almost every nation around the world and over the last two decades have contributed to global, national, and local economies significantly. More recently, policy makers and those who start these creative businesses have demonstrated a greater interest in how creative entrepreneurs create, sustain and market their services and products. And how contexts influence their 'doing business' is of increasing importance.
Both volumes of Creative (and Cultural) Industry Entrepreneurship in the 21st Century map and elucidate the adaptations and challenges faced by the creative professionals and the entrepreneurial solutions they have co-developed. Illuminating how contexts and recent socio-economic disruptive challenges influence how value is created and maintained from start-up to growth and exit, the chapter authors take a fresh look at creative micro-businesses and SMEs, the processes leading to their formation, developments and their founders. This volume 2 adds a focus on how creative ventures could contribute to economic development and the challenges policy makers face.
Contemporary Issues in Entrepreneurship Research is an official book series of the Institute for Small Business and Entrepreneurship (ISBE). Each volume is designed around a specific theme of importance to the entrepreneurship and small business community with articles collectively exploring and developing theory and practice in the field.
Contents
Chapter 1. Creative and cultural industry entrepreneurship in the 21st century: Challenges by and for policymakers; Inge Hill, Sara R. S. T. A. Elias, Paul Jones, and Stephen Dobson
Unusual and temporary places for CCI entrepreneurship
Chapter 2. Temporary art spaces: A conceptual framework; Hayley Reid, Andreana Drencheva, and Malcolm Patterson
Chapter 3. Cultural entrepreneurship at the Aardklop Arts festival: An ecosystem perspective; Saskia de Klerk and Nada Endrissat
Chapter 4. Out of the studio and into the street: A case study of street art opportunities during COVID-19; Leigh Morland and Ekaterina Sheath
Economic perspectives on CCI entrepreneurship
Chapter 5. Essential puzzle piece for CCI entrepreneurship: CCI managers Mental models concerning collaborative processes with non CCI; Kristiina Urb
Chapter 6. Entrepreneurial performance and competition within the creative and cultural industries: Challenges for cultural entrepreneurs in a developing country; Tafadzwa Masiye, Alison Lawson, and Kuldeep Banwait
Chapter 7. Make it work; Strategies of creative entrepreneurs for coping with the tension from artistic and economic logics; Nanne Migchels and Milou van der Linden
Organising clustering of CCI entrepreneur
Chapter 8. Play, experimentation, and proximity in the Creative Industries; Stephen Dobson, Lorena Raquel Serrano Tamayo, and Sue Hayton
Chapter 9. Building Online Communities to Support Women Creative Entrepreneurs During Lockdown; Beki Gowing
Chapter 10. The 'Creative Village': A creative entrepreneurship framework for catalysing Africa's creative and cultural industries; Adeyinka Adewale, Jean-Pierre Choulet, Chike Maduegbuna, Barry Van Zyl, and Stephen Budd
Cognitive aspects of doing CCI entrepreneurship
Chapter 11. Exploration of Entrepreneurship Education and Innovative Talent Training Model: New Normal Perspective; Lei Jian Qiang, Oo Yu Hock, and Osaro Aigbogun
Chapter 12. Neuroentrepreneurship: Pierce the veil of creativity in workplaces; Rajat Sharma and Rita Devi
Social spaces and placemaking for CCI entrepreneurs
Chapter 13. Community and creative entrepreneurship: The dynamic relationship between social workspaces and creative entrepreneurs; Annette Naudin
Chapter 14. Creative Placemaking in the Scottish Rurality: Comparing two small towns; David Rae
Chapter 15. Heritage craft entrepreneuring in 'the wild': The role of entrepreneurial placemaking for rural development; Birgit Helene Jevnaker and Inge Hill
