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Full Description
«In "Post-2000 Poetry of Dissent," Dr Abha Prakash's student-focussed explication of poems proceeds comparatively, identifying ways in which pairs of poems from the A-level syllabus address thematically similar phenomena or ideas while the poems' uniquenesses are thus thrown into relief. Prakash's helpful elucidations particularly highlight questions of specific power relations or societal injustices the individual poets are scrutinizing and directly or indirectly critiquing. Her essays instructively model approaches to poems for students developing literary critical skills.»
(Susan Gingell, PhD, Professor Emerita and Master Teacher, University of Saskatchewan)
«The best 21st-century poets confront edgy and difficult topics that reflect the realities of our time. Abha Prakash's clear and accessible critiques offer readers a reliable and sensitive guide to the complex questions these poets raise, while also showing how poetic techniques shape each poem's unique form and expression.»
(Anthony John Harding, Professor Emeritus, University of Saskatchewan)
An insightful critique of contemporary award-winning poetry published between 2000 and 2011 by British poets, this resource text offers a critical appreciation of 28 poems that form part of the anthology, Poems of the Decade, which are studied by A level students in the UK and international centres each year. All the 28 poems express varying degrees of dissent, in theme, style, and techniques. They also offer interesting lines of discussion and debate in the AS English classroom. This is a book of original analytical perspectives by an experienced English Literature teacher who expertly identifies each poem's implicit and explicit context, as well as its unique response to our twenty-first century world.
Contents
Contents: Objectification of Women in "A Leisure Centre is also a Temple of Learning" and "Eat Me" - Dead or Alive? Redefining History in "The Fox in the National Museum of Wales" and "History" - The Self and the Other in "From the Journal of a Disappointed Man" and "Ode on a Grayson Perry Urn" - Monster Machines in "Chainsaw versus The Pampas Grass" and "The Gun" - Female- centrism in "An Easy Passage" and "Inheritance" - The Child versus the Adult Self in "Material" and "To My Nine- Year- Old Self" - Use of Experimental Form and Language in "Look We Have Coming to Dover!" and "Please Hold" - Chaos and the Futility of War in "The War Correspondent" - A Sense of Place in "The Deliverers" and "You, Shiva, and My Mum" - "Out of the Bag" as a Bildungsroman - Female Selfhood and Empowerment in "The Furthest Distances I've Travelled" and "Map Woman" - Murder and Psychosis in "The Lammas Hireling" and "Giuseppe" - Caregiving in "A Minor Role" and "On Her Blindness" - Race and Class in "Song" and "Fantasia on a Theme of James Wright" - Synecdoche in "Genetics" and "Effects".
