Thinking through High-Tech Hell : A Theory of the New Media Dystopia (Ralahine Utopian Studies 35) (2024. XIV, 384 S. 26 Abb. 229 mm)

個数:

Thinking through High-Tech Hell : A Theory of the New Media Dystopia (Ralahine Utopian Studies 35) (2024. XIV, 384 S. 26 Abb. 229 mm)

  • オンデマンド(OD/POD)版です。キャンセルは承れません。

  • 提携先の海外書籍取次会社に在庫がございます。通常3週間で発送いたします。
    重要ご説明事項
    1. 納期遅延や、ご入手不能となる場合が若干ございます。
    2. 複数冊ご注文の場合は、ご注文数量が揃ってからまとめて発送いたします。
    3. 美品のご指定は承りかねます。

    ●3Dセキュア導入とクレジットカードによるお支払いについて
  • 【入荷遅延について】
    世界情勢の影響により、海外からお取り寄せとなる洋書・洋古書の入荷が、表示している標準的な納期よりも遅延する場合がございます。
    おそれいりますが、あらかじめご了承くださいますようお願い申し上げます。
  • ◆画像の表紙や帯等は実物とは異なる場合があります。
  • ◆ウェブストアでの洋書販売価格は、弊社店舗等での販売価格とは異なります。
    また、洋書販売価格は、ご注文確定時点での日本円価格となります。
    ご注文確定後に、同じ洋書の販売価格が変動しても、それは反映されません。
  • 製本 Paperback:紙装版/ペーパーバック版/ページ数 384 p.
  • 言語 ENG
  • 商品コード 9781803744629

Full Description

«New media determine our dystopian situation. Miguel Sebastián-Martín maps the new media hell. Read this book to understand how SF reproduces our dystopian present and to find the cracks where the light gets in.»

(J. Jesse Ramírez, Eastern Switzerland University of Applied Sciences)

«In Thinking through High-Tech Hell, Miguel Sebastián-Martín defines a 'dystopian structure of feeling' among SF and new media that, contrary to much recent theorizing, is ambivalent about its sense of dystopianness. Through a series of textual examples, Sebastián-Martín demonstrates how the dystopian structure of feeling both critiques and embraces the current neoliberal capitalist state of technology and new media. The book is impressively researched and thoughtfully written, moving easily from broad theoretical/philosophical discussions to pinpoint analysis, making it a relevant new contribution to new media studies and SF research.»

(Liz W. Faber, Assistant Professor of English and Communication, Dean College)

Examining a cluster of British and Anglo-American series from the 2010s, this book theorizes them — and, indirectly, the epochal reality that they represent — as «new media dystopias.» With this term, the author conceptualizes an emergent sub-genre of audio-visual SF which is thematically concerned with the worst effects of developments in media technologies under digital capitalism and is, ironically, produced for and distributed through digital-capitalist platforms. Across the book's chapters, the new media dystopia is approached as an epochal structure of feeling, as a narratively reflexive sub-genre, as an aesthetically ambivalent form, and as a locale for a new kind of quixotism. Combining these perspectives, the book's interest lies in gauging the ways and the extent to which these dystopias contribute to the historical hopelessness that seems to define the terms of our relationship with new media technologies — as well as our position within and towards contemporary capitalism.

Contents

Contents: Introduction: Feeling Dystopian? - Our Hopeless SF Times: Contemporary Capitalism as a New Media Dystopia - New Media Reflexivity: Self- Referentiality and Self-Consciousness in the Audio-Visual SF of Digital Platforms - Between Critique and Mystification: The Aesthetic and Ideological Ambivalences of New Media Dystopias - New Media Quixotism: Satiric and Utopian Characterizations of Digital Subjectivity - Conclusion: Exit Dystopia?.

最近チェックした商品