TransVisuality: the Cultural Dimension of Visuality (Vol 2) : Volume 2: Visual Organisations

個数:

TransVisuality: the Cultural Dimension of Visuality (Vol 2) : Volume 2: Visual Organisations

  • 提携先の海外書籍取次会社に在庫がございます。通常3週間で発送いたします。
    重要ご説明事項
    1. 納期遅延や、ご入手不能となる場合が若干ございます。
    2. 複数冊ご注文の場合は、ご注文数量が揃ってからまとめて発送いたします。
    3. 美品のご指定は承りかねます。

    ●3Dセキュア導入とクレジットカードによるお支払いについて
  • 【入荷遅延について】
    世界情勢の影響により、海外からお取り寄せとなる洋書・洋古書の入荷が、表示している標準的な納期よりも遅延する場合がございます。
    おそれいりますが、あらかじめご了承くださいますようお願い申し上げます。
  • ◆画像の表紙や帯等は実物とは異なる場合があります。
  • ◆ウェブストアでの洋書販売価格は、弊社店舗等での販売価格とは異なります。
    また、洋書販売価格は、ご注文確定時点での日本円価格となります。
    ご注文確定後に、同じ洋書の販売価格が変動しても、それは反映されません。
  • 製本 Paperback:紙装版/ペーパーバック版/ページ数 272 p.
  • 言語 ENG
  • 商品コード 9781800348967
  • DDC分類 700.103

Full Description

In contemporary society, 'the visual' becomes a traversing denominator passing through the most diverse articulations: from new media, branding, drone vision and robot culture to cityscapes, design and art. The transvisuality project in three volumes promotes the turn away from the predominance of a focus on representations in studies of visual culture. Volume 2 introduces visual organisation in-the-making as an effect of manifold traversing articulations and interconnected practices: how is the 'stuff' of visuality—an image like a photograph, an incident on TV, a cinematic oeuvre—intertwined in a range of cultural practices, transformed and transgressed by them in transvisuality.

The aim of the book is to map how visual organizations are traversing culture as articulatory practices in situ. The resulting case studies take their departure in different materialities and agencies of empirical, embedded visuality—from canvas to drone camera—and illustrate how transvisuality evolves in and around publics and communities on the one hand and through bodies and media on the other. The visual articulations analysed in this volume span from cellphone videos to forensic images, from biomedia to robots, from bunker ruins to Kalighat pat paintings, from a Palestinian wedding dress to video footage of unknown strangers in a metro, from the Gorgon Stare to movies becoming art installations.

While the first volume addresses the boundaries of the notion of visuality and creative openings that visual culture studies offer, the third volume maps visuality in contexts of design, creativity and brand management.

Contents

CONTRIBUTORS
INTRODUCTION

Part I. Publics and communities

1. Rafael Cardoso - Flesh and the Beholder: Towards a Phenomenology of Digital Viewing

2. Sambudha Sen - Re-Visioning the Colonial City: Autonomous Spaces, Stereotypes and the Aesthetics of Intermixtures in Kaliprasanna Sinha's Hutom Pyanchar Noksha

3. Fiona Cameron & Sarah Mengler - Transvisuality, Geopolitics and Cultural Heritage in Global Flows: the Israeli-Palestinian Conflict and the Death of the Virtual Terrorist.

4. Leora Farber - Beyond Self vs. Other. The Other-as-Stranger-Within as Imaged in the Who is Pinky Pinky Series

5. Karl Erik Schøllhammer - Forensic Strategies Against the Traumatic Condition of Culture. Exposure of Wounded Bodies in Brazilian Media and Art

6. Eric Louw - Visualized Politics

7. Khaled Ramadan - Our History and Their Archive. The Substantive Visual Aesthetics of Al Jazeera and its Impact on the Arab World

Part II. Bodies and media

8. Marie-Luise Angerer - From Vision To Motion. Image, Affect, Bio-Media

9. Frauke Wiegand - Concrete Memories: The In/Visibility of Bunker Ruins

10. Bodil Marie Stavning Thomsen - Interface Screenings. Integrations of the Body According to New Diagrams for Visual Mapping

11. Gunhild Borggreen - Robot Bodies. Visual Transfer of the Technological Uncanny

12. Asbjørn Grønstad - Enfolded by Cinema: The Transvisual Gaze in Tsai Ming-liang's Visage.

13. Lila Lee-Morrison - Drone Warfare. Visual Primacy as a Weapon

14. Kassandra Wellendorf - Elastic Looking and Negotiations of Invisibility in Public Spaces

Bibliography
Index

最近チェックした商品