Night Vision : Wilfred Bion's Epistemological Poetics and the Experience of the First World War

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Night Vision : Wilfred Bion's Epistemological Poetics and the Experience of the First World War

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  • 製本 Paperback:紙装版/ペーパーバック版/ページ数 248 p.
  • 言語 ENG
  • 商品コード 9781800133112
  • DDC分類 150.195092

Full Description

All his life, Wilfred Bion strove to find a narrative form for the traumatic experiences he went through as a tank commander in the First World War. The body of his autobiographical and literary works documents his efforts to wrest a biography of his own from the most devastating processes of world history. As a whole, it is the result of a lifelong struggle to express something unspeakable, to restore something destroyed. What emerges is something like the prehistory of the psychical catastrophe from which Bion was unable to escape until his death. As such, however, these autobiographical fragments also reflect the prehistory of the historical catastrophe under whose spell the world still stands today.

This book is the first comprehensive study of Bion's autobiographical and literary writings. Drawing on the concepts of experience and thinking developed in his theoretical and clinical works, with which they are genetically linked, it discusses Bion's strategies of writing and cognition, and for the first time systematically places a hitherto unexplored part of his work in the context of his entire œuvre.

Following the chronological thread of his life, from childhood in India through youth in England to his experience of the First World War in France and Belgium, the book traces how Bion developed his unique method of writing. Detailed narrative analyses reveal the painful work of coming to terms with the war experiences which had haunted him throughout his life - a crippling trauma whose causes extended far beyond the individual and private. The book thus provides deep insights into Bion's life, his thinking, and his writing, and offers the reader a portrait of the primal catastrophe of the twentieth century and its devastating effects.

Contents

About the author

Introduction

Part I

Experience, cognition, writing—and their failure: Philosophical, psychological, philological aspects

Chapter 1: Night vision

Chapter 2: Dangers of understanding: Virgil's Palinurus as an allegory of cognition

Virgil's Palinurus

Bion's Palinurus

Eclipse of Palinurus

Part II

Wilfred Bion's epistemological poetics

Chapter 3: Wilfred Bion's "late work": Autobiography and "literary turn"

Biography: Childhood in India, youth in England, First World War

On the structure of Bion's autobiographical writings

The Long Week-End 1897-1919 and War Memoirs 1917-1919

All My Sins Remembered: Another Part of a Life

The trilogy of novels: A Memoir of the Future

The presence of the past in a dream that interprets itself

Dream-dream interpretation—"construction"—dream text

"The only thing I am not quite clear about ..."—Bion's theory of the dream

A first step in a new language

Entering into the unknown

Chapter 4: "Psychological impossibilities": Childhood and child's experience in Wilfred Bion's The Long Week-End

Chapter 5 : "A sense of disaster, past and impending": Youth and boarding school life in England before the First World War

Experiences beyond description: "Such cataclysmic disasters cannot be described"

Close reading: The Long Week-End, "England", Chapter 1

"Misery at school had a dynamic quality": Everyday life in the boarding school panopticon

Glory and flannel: "England at war. Myself with nothing but my tiny little public school soul"

Part III

Wilfred Bion's epistemological poetics and the experience of the First World War

Chapter 6: A sub-thalamic fear": Wilfred Bion's War Memoirs 1917-1919

Bion's War Memoirs 1917-1919 and "a great unsolved puzzle"

Palimpsests

Memory is figurative communication of emotional experience

"I died there": Life after (psychical) death

"The ghosts look in from the battle again": The psychological catastrophe of survival

The "Amiens" report of 1958: Another attempt to describe the indescribable

Crater landscapes

How to describe the indescribable?

The silence in the combat breaks

"Cracking up"

"I shall try to give you our feelings at the time I am writing of ": Outlook

Chapter 7 : Writing the ineffable: The experience of the First World War in The Long Week-End 1897-1919

Experience and narrative

Ypres: Map and territory

Amiens: August 8, 1918

Amiens: Map and territory

Thinking under fire: Measurements in the fog of fear

Sweeting's death

Panorama of working through a catastrophic trauma

Overview of the external events

Sweeting's death: The first text version from the war diary of 1919

Sweeting's death: The second text version in the "Amiens" fragment of 1958

Sweeting's death: The third text version in The Long Week-End

"We will remember them": A tomb for Sweeting

Postscript: (Aesthetic) experience and epistemological poetics

References

Index

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