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Full Description
As with many aspects of European cultural life, film was galvanized and transformed by the revolutionary fervor of 1968. This groundbreaking study provides a full account of the era's cinematic crises, innovations, and provocations, as well as the social and aesthetic contexts in which they appeared. The author mounts a genuinely fresh analysis of a contested period in which everything from the avant-garde experiments of Godard, Pasolini, Schroeter, and Fassbinder to the "low" cinematic genres of horror, pornography, and the Western reflected the cultural upheaval of youth in revolt-a cinema for the barricades.
Contents
List of Illustrations
Acknowledgments
Chapter 1. "All All All"
Chapter 2. Prehistory - from Late Neo-Realism to the New Waves
Chapter 3. Crises of Post-Bazinian Realism
Chapter 4. Film and Revolutionism
Conclusion: Seized, Freed, Remade and Deployed
Filmography
References
Index



