The Student Actor Prepares : Acting for Life (Theatre in Education)

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The Student Actor Prepares : Acting for Life (Theatre in Education)

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  • 製本 Paperback:紙装版/ペーパーバック版/ページ数 467 p.
  • 言語 ENG
  • 商品コード 9781783201907
  • DDC分類 792.028

Full Description

The Student Actor Prepares is a practical, interactive approach to a student actor's journey. Each chapter includes acting principles, their importance to the process and workbook entries for emotional work, script analysis and applications to the study of theatre. Topics cover a brief history of the art of acting and how the study of acting can be an advantage in numerous occupations; an actor's discovery of emotional work; movement and mime practices for the actor; vocal practices for the actor; solo improvisational study; script analysis for the individual actor; rehearsal tips; monologue work; original solo work; audition information; working with an acting partner or in a production; acting resources; and research topics.

Contents

Prologue 

Creative (CI) and Reflective Inquiry (RI) Journey 

Brief History of Theatre Acting 

Theatre Vocabulary for the Acting Student: Top One Hundred and Sixty Essential Words 

Theatrical Humor 

Reading Plays 

Closure for The Student Actor Prepares: Acting for Life: Prologue

Chapter One: Introduction to Theatre Acting 

Unlimited Potential 

Skills Developed by the Acting Process 

Actor's Personal Autobiography 

Natural Talents and Aptitudes 

Acknowledging your Uniqueness 

Positive New Experiences 

Dealing with Inhibitors 

Dealing with Negativism and Rejection in the Acting Biz 

Winning Attitudes 

Closure for Chapter One: Theatre Acting

Chapter Two: Creativity

Introduction to Creativity

Definition of Creativity 

Say Yes to Creativity 

Various Types of Creative Thinking: Brainstorming, Intuition, and Left Brain Right Brain 

Tips on How to Increase your Creativity

Experiences to Increase your Creativity 

Left Brain/Right Brain Experience 

Thinking Outside the Box 

How an Actor Benefits by Thinking Creatively

Using Both Left and Right Brain Thinking in Acting 

Closure for Chapter Two: Creativity 

Chapter Three: Movement 

Introduction to Movement 

Definition of Movement 

History of Movement Training 

Introduction to Relaxation for Movement 

The Bow

Video Recording as Part of your Rehearsal Process 

Preparation for Actor's Character Stance and Movement 

Stage Stances and Movement 

Introduction to Mime Study for the Actor 

Closure for Chapter Three: Movement 

Chapter Four: Vocal Work 

Introduction to Vocal Work

Taking Care of your Voice 

Warm-Up for Vocal Experiences 

Vocal Vocabulary and Assignments 

Song Lyrics for Vocal Work 

Shakespeare for Vocal Interpretation 

Closure for Chapter Four: Vocal Work

Chapter Five: Improvisation 

Introduction to Improvisation 

Definition of Improvisation

History of Improvisation 

Why an Actor Studies Improvisation 

Vocabulary Used in the Study of Improvisation 

Difference between Giving a Speech and Solo Improvisation Performance

Difference between Ad Lib and Improvisation 

How an Actor Uses Improvisation

Basic Principles of Improvisation 

Warm-Ups for Improvisations 

Solo Improvisation 

Closure for Chapter Five: Improvisation 

Chapter Six: Acting and Script Study 

Introduction to Acting 

History of Acting: Mechanical to Method 

Master Acting Teachers 

Acting Vocabulary 

Reading and Analyzing a Script from an Actor's Point of View 

Character Biography for a Monologue from a Play 

Closure for Chapter Six: Acting and Script Analysis 

Chapter Seven: Monologues 

Introduction to Monologues 

Definition of a Monologue 

History of the Monologue

Monologue Vocabulary

Why an Actor Studies Monologues 

The First Day: Monologue for Analysis and Staging 

Warming Up 

Keeping it Real and in the Moment—Not Indicating 

Staging 

Memorizing Monologues 

Musical Theatre Lyrics as Monologues

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