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Celebrating the artists at the forefront of a Black aesthetic renaissance and how they harness the arts to shape a freer future
In the wake of the murder of George Floyd by Derek Chauvin of the Minneapolis Police Department and the death of Regis Korchinski-Paquet during a health episode attended by Toronto Police Services in the turbulent summer of 2020, communities rose up in rage, grief, and resistance. Alongside mass protests came an outpouring of creative expression by Black artists, producing art that helped make sense of the moment and mobilize for change.
Today, as anti-Black violence persists—fueled by the rise of white supremacy and fascism, even within the highest levels of government—Black artists, too, persist in painting, dancing, drawing, writing, and expressing their outrage and hope.
Free to Be More honours the creative revolutionary labour of Black artists, past and present. This vibrant collection of essays, poems, images, and interviews affirms the deep connection between art and activism. More than that, it's a testament to how art can amplify a movement and offer tools to gather, organize, and enact transformative interventions in anti-Black racism.
Continuing and expanding the conversation from the bestselling Until We Are Free, Free to Be More brings together contributions from Rodney Diverlus, Ravyn Wngz, Aisha Sasha John, and other visionary artists to serve as both a singular creative archive and a rallying cry for future changemakers.
Contents
INTRODUCTION
PART ONE: Black Arts, Abolition and Activism
Black Boots_ —Britta B
DEFUND Poster Series—Anna Jane McIntyre, Sandra Brewster, Camille Turner, Kara Springer, Elicser Elliott, Ifetayo Alabi
Decolonial Frameworks by Black Arts Leaders—d'bi.young anitafrika
"She Carried with Her... A Large Bundle of Wearing Apparel Belonging to Herself.": Slave Dress as Resistance in Portraiture and Fugitive Slave Advertisements
Vagabond: On Movement and Change Making—Rodney Diverlus, Syrus Marcus Ware
The Art of Step: Roots, Resistance and the Rich Culture of Step in Montreal—Kayin Queeley, Natasha "Tashe" Clery, Ra'anaa Yaminah Ekundayo
From Boys to Men—Anthony Gebrehiwot
Framing the North: Black Arts Beyond the Metropolis—Isak Vaillancourt, Ra'anaa Yaminah Ekundayo
Activist Wallpaper Series—Syrus Marcus Ware
PART TWO: Our Practice//How We Create
The Spiritual Artist—Winsom Winsom, d'bi.young anitafrika
esu crossing the middle passage—d'bi.young anitafrika
We Gather—Erica N. Cardwell, Sandra Brewster
The Zoo: Abolition, Filmmaking, Art and uprisings from 2016-2024—Kyisha Williams, Syrus Marcus Ware
Decolonize Love—King Kxndi
Nave—Camille Turner
Fugitive Sound Art: Sound as Refusal, Sound as Refuge—jamilah abu-bakare
Unheard Voices: Theatre and the Black Deaf Experience—Syrus Marcus Ware, Ra'anaa Yaminah Ekundayo, Natasha "Courage" Bacchus
LEARN TO LOVE YOUR LITTLE WHOLE—Aisha Sasha John
Introspective Retrospective—Ravyn Wngz, d'bi.young anitafrika
PART THREE: Living As If We're Already There
On Writing 2025: Light Years from Now—Syrus Marcus Ware
The Afrofuturist Dreamscape: Black Cultural Identity—Yung Yemi, Ra'anaa Yaminah Ekundayo
The Archive as Living Entity: Notes from Yamayeka—Kanika Gordon
Black digital angels—Kim Ninkuru
Winter | Black Futures—Kayode Jonathan Akande
Force and Form: doing what I can't to reshape the discourse on police brutality—Pauline Lomami
Creative Reflections
The Four Queens—Simone Elizabeth Saunders
Maroon Child: Mobility of Imagination—Theodore Walker Robinson
« PHANTASY no. 3 »—Ryan Ad
Ice Cream Dreams—Janine Carrington
They say we can't breathe underwater—Nicole Gordon
CONCLUSION
