Full Description
In 2016, a landscape painting of the source of the Lison river in France was discovered at the University of Pennsylvania and was immediately suspected of being the work of Gustave Courbet. A lengthy authentication process began in 2018 and the landscape has since been confirmed as his. This new discovery sparked an exhibition showcasing the infamous painter's modern landscape practice. Titled At the Source: A Courbet Landscape Rediscovered, the exhibition is presented at the University of Pennsylvania's Arthur Ross Gallery from February 4 to May 28, 2023. Focusing on the motifs of grottos and waterfalls in his art of the 1850s and 1860s, it highlights the rediscovered Courbet painting, not shown in public for close to 100 years, and emphasizes the process of authenticating and conserving this historic work.
Gustave Courbet (1819-1877) was a French painter who led the Realism movement of the mid nineteenth-century. Committed to painting only what he could see, he rejected academic conventions and the Romanticism of the previous generation of artists. Courbet's paintings of the late 1840s and early 1850s brought him his first recognition. They challenged tradition by depicting unidealized peasants and workers, often on a grand scale previously reserved for paintings of religious or historical subjects. Courbet's subsequent paintings offer a wide range of genres and broadened the political character of his art: landscapes, seascapes, hunting scenes, nudes, and still lifes.
This heavily illustrated catalog brings together essays by leading Courbet scholars, including Petra ten-Doesschate Chu, Aruna D'Souza, Paul Galvez, and Mary Morton, and situates Courbet's modern landscapes within the genre of nineteenth-century plein-air painting. Contextualizing the newly discovered work in relation to other visual depictions of the site, the catalog reproduces postcards and maps as well as the few other versions of the Source of the Lison that Courbet painted, including other related subjects. The essays draw connections between Courbet's paintings and his political activism, his interests in geology and environmentalism, and his engagement with issues of gender.
Contents
Contents
Foreword, LYNN MARSDEN-ATLASS
Acknowledgments, LYNN MARSDEN-ATLASS AND ANDRÉ DOMBROWSKI
Introduction, ANDRÉ DOMBROWSKI
Thomas W. Evans: A Gilded Life and Legacy, LYNN MARSDEN-ATLASS
Courbet and the Source of the Lison: Geological Curiosity, Industrial Power Source, and "Natural Site of an Artistic Character", PETRA TEN-DOESSCHATE CHU
Of Sources and Salt, PAUL GALVEZ
Courbet Painting in Nature, MARY MORTON
Paths to the Source: The Lison and Nineteenth-Century Tourism, JALEN CHANG
Source, Origin, Endpoint, Projection, Possession, ARUNA D'SOUZA
Displays of Power: Courbet as Exhibition Maker, EMILY ZIMMERMAN
Courbet, or Not Courbet, That Is the Question, PETRA TEN-DOESSCHATE CHU
Unsettled Ground: The Development of Courbet Landscape Studies, JALEN CHANG
Pigment Analysis of a Landscape by Gustave Courbet, ADAM C. FINNEFROCK AND JENNIFER L. MASS
Courbet in Context
Exhibition Checklist
Further Reading
Contributors
Photography Credit
