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Full Description
Through the lens of a feminist psychoanalytic framework, Re-Envisioning the Freudian Mother in Southern Literature re-evaluates the mother-child dynamic as one far more complicated than what is present in typical psychoanalytic readings.
Under this framework, Jill Goad explores the figure of the mother through Margaret Mitchell's Gone with the Wind, William Faulkner's Light in August, Tennessee Williams' The Glass Menagerie, Eudora Welty's The Golden Apples, Natasha Trethewey's Native Guard and other poems, and Jesmyn Ward's Sing, Unburied, Sing. The author argues that the Freudian concept of castration occurring at birth rather than a child's early years, contrasting the Freudian-influenced theorists dominate the notion of psychoanalysis in literature. Goad's approach to analyzing mothers and the consequences of birth classifies mother figures as powerful and complex instead of weak, frightening, or two-dimensional. Re-Envisioning the Freudian Mother in Southern Literature encourages a complete re-evaluation of the mother as one who gives birth to selfhood and subjectivity as opposed to a lack of agency.
Contents
About the Author
Introduction: Southern Mothers and Psychoanalytic Theory
1. Mothers in Gone with the Wind: More Than Belles and Ladies
2."My, My. A Body Does Get Around": Reconfiguring the Freudian Mother in Faulkner's Light in August
3. "What is There Left but Dependency All Our Lives?": The Distorted Mother-Child Relationship in Tennessee Williams' The Glass Menagerie
4. "Do I Want to Be That?": Mothers and Daughters in Eudora Welty's The Golden Apples
5. "But in Dreams You Live": The Complexity of the Mother in Natasha Trethewey's Poetry
6. The Power of the Pre-Oedipal Mother in Jesmyn Ward's Sing, Unburied, Sing
Conclusion
Bibliography
