Full Description
The first history of the fanzines that emerged from Washington, DC's highly influential punk community
DIY culture has always been at the heart of DC's thriving punk community. As Washington, DC's punk scene emerged in the mid-1970s, so did the periodicals—"fanzines"—that celebrated it. Before the rise of the internet, fanzines were a potent way for fans to communicate and to revel in the joy of fandom. These zines were more than just publications; they were a distillation of punk's allure, connecting the city to the broader punk community. Fanzines remain a meaningful, tactile, creative medium for punk fans to connect with like-minded people outside the corporate-controlled world.
In Keep Your Ear to the Ground, the archivist and musician John R. Davis unveils the development of punk fanzines and their role in supporting DC's hardcore and punk scene from the 1970s into the twenty-first century. He sheds new light on DC's scene and highlights some of its key personalities, including many who are often left out of punk history, with high-quality images of rare zines and insights from numerous interviews with zine creators and musicians. This book vividly weaves together the origin of zines and their importance in underground communities.
For punk enthusiasts, zine creators, American studies scholars, and anyone who has ever felt like an outsider, Keep Your Ear to the Ground traces how the unique environment of Washington, DC, helped zines thrive.
Contents
Acknowledgments
Introduction
1 The Roots of DC Punk Fanzines
2 Wake Up, Washington! 1976-1979
3 All Right, Here We Go, 1980-1981
4 Everything Is Right, 1982-1983
5 Fallen Pieces, 1984
6 Take It Back, 1985-1986
7 Let It Ring, 1987-1989
8 This Is Not a Test, 1990-1992
9 Crazy Town, 1993-1999
10 DC Punk Fanzines in the Twenty-First Century
Afterword by Yancey Strickler
Index
About the Author
