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Full Description
A new appraisal of Dos Passos's work and life, Toward a Modernist Style describes both the central currents in his early work, and his full participation in literary modernism, culminating in his U.S.A. trilogy, as well as the relationship of these currents to those of an especially vibrant period in American expression.
Donald Pizer charts the evolution of Dos Passos's artistic sensibility from its largely conventional expression at the start of the 1920s to the radical formal experimentation of U.S.A. at its close. He places this development in Dos Passos's writing in the context of contemporary ideas about art and society. Pizer also looks at the important roles that Dos Passos's expatriation and his relationship with Ernest Hemingway played in his work as well as his efforts as a painter and their relationship to his literary art.
Toward a Modernist Style is both an incisive guide to a major American modernist as well as an exploration of the wider currents that created literary modernism in the early twentieth century.
Contents
Preface
Editorial Note and Acknowledgments
The Early 1920s: Constructing a Style
Introduction to Three Soldiers
Rosinante to the Road Again and the Modernist Expatriate Imagination
John Dos Passos in the 1920s: The Development of a Modernist Style
U.S.A.: The Style Perfected
U.S.A.
The Camera Eye in U.S.A.: The Sexual Center
The Big
The Sexual Geography of Expatriate Paris
The 1920s and Beyond: Friendships and Art
The Hemingway-Dos Passos Relationship
The Paintings of John Dos Passos
Notes
Index
