Full Description
These seventeen pieces on travel in Africa by leading African authors take readers to places at once homelike and foreign. Against the tropes of travel writing, this book offers the acuity of vision of particular types of travelers. These are travelers whose mother tongue may find the hint of familiarity across otherwise unintelligible languages and for whom a foreign land isn't necessarily strange; in it they perceive vestiges of the familiar. For them, the act of traveling extends a canvas on which to depict someone else's reality—a reality never too distant from their own. What makes these writings coalesce is a reflection about the act of being in motion, about reconfiguring place; a consciousness of how geography redirects the focus of one's gaze and, in turn, how that altered gaze filters inward. Having absorbed the landscape, inhaled the scents, paid heed to accents, and accepted the condition of being out of place, these travelers reconstitute individual consciousness and join a collective sense of existing beyond borders. Place inhabits this renewed sense of self; literature enables its expression. An inviting introduction to travel writing on Africa, The Passport That Does Not Pass Ports is absorbing reading for travelers and students of literature alike.
Contents
Contents Acknowledgments Introduction-Isabel Balseiro I. Theories of Travel Bye, Bye Babar-Taiye Selasi (Ghana/Nigeria) Afropolitanism-Achille Mbembe (Cameroon) II. Traveling Fictions The Wanderer-Hassouna Mosbahi (Tunisia) The Start of the Afffair-Nuruddin Farah (Somalia) Presidential Portraits-Zachariah Rapola (South Africa) A Private Experience-Chimamanda Ngozi Adichie (Nigeria) Weight of Whispers-Yvonne Adhiambo Owuor (Kenya) Murambi (Excerpt from Murambi, The Book of Bones)-Boris Boubacar Diop (Senegal) Homeland (Excerpt from Far from My Father)-Véronique Tadjo (Côte d'Ivoire) Abdar and Terhas (Excerpt from African Titanics)-Abu Bakr Hamid Khaal (Eritrea) III. Memoirs Photography Is Like Hunting (Excerpt from A Stranger's Pose)-Emmanuel Iduma (Nigeria) Hargeisa Snapshots-Doreen Baingana (Uganda) Zanzibar, circa 1996-Heidi Grunebaum (South Africa) Fugee-Hawa Jande Golakai (Liberia) 2010 World Cup (Excerpt from One Day I Will Write about This Place)-Binyavanga Wainaina (Kenya) Tending the Backyard: Port Harcourt (Excerpt from Looking for Transwonderland)-Noo Saro-Wiwa (Nigeria) Trapdoor (Excerpt from The Return: Fathers, Sons and the Land in Between)-Hisham Matar (Libya) About the Contributors