Full Description
One of the leading poets of the nineteenth century, Elizabeth Barrett Browning had a profound influence on her contemporaries and on writers that followed her. This edition provides a rich and varied selection of Barrett Browning's poetry, including relatively neglected material from her early career and works never before included in editions of her poetry. The edition is comprehensively annotated and includes a critical introduction; detailed headnotes for each poem also provide the reader with a deep understanding of the historical, biographical, and literary contexts in which the poems were written.
The extensive appendices include reviews and criticism and material on factory reform and slavery, as well as religion and the Italian Question.
Contents
Acknowledgements
Abbreviations, Primary Sources, and Website
Note on Citation Practices and EBB's Punctuation
Illustrations
Preface: About this Edition
EBB: A Brief Chronology
Introduction
1. Early Works
Unpublished Juvenilia
On the Cruelty of Forcement to Man Alluding to the Press Gang
Fragment of an "Essay on Woman"
From An Essay on Mind, with Other Poems (1826)
Stanzas on the Death of Lord Byron
2. From The Seraphim, and Other Poems (1838)
A Romance of the Ganges
The Virgin Mary to the Child Jesus
Felicia Hemans: To L.E.L.
3. From Poems (1844)
From the Preface
From A Drama of Exile
Sonnets
The Soul's Expression
On a Portrait of Wordsworth by B.R. Haydon
Past and Future
Grief
To George Sand: A Desire
To George Sand: A Recognition
The Romaunt of the Page
Lady Geraldine's Courtship
From A Vision of Poets
The Cry of the Children
Bertha in the Lane
Catarina to Camoens
The Romance of the Swan's Nest
4. [Aeschylus's Monodrama] (Unpublished, 1845)
5. From Poems (1850)
Flush or Faunus
Hiram Powers' Greek Slave
The Runaway Slave at Pilgrim's Point
A Reed
Sonnets from the Portuguese
6. From Casa Guidi Windows (1851)
Advertisement to the First Edition
Part I
Part II
7. From Poems before Congress (1860)
Preface
The Dance
A Curse for a Nation
8. From Last Poems (1862)
Lord Walter's Wife
Bianca among the Nightingales
A Musical Instrument
Mother and Poet
Appendix A: Views, Reviews of Collected Poems, and Criticism
From William Michael Rossetti, Some Reminiscences of William Michael Rossetti (1906)
From Edgar Allan Poe, Broadway Journal (4 and 11 January 1845)
From Frederick Rowton, The Female Poets of Great Britain (1853)
From the English Woman's Journal (7 August 1861)
From [William Stigand], Edinburgh Review (July-October 1861)
From [Gerald Massey], The North British Review (February-May 1862)
From Peter Bayne, Two Great Englishwomen: Mrs Browning and Charlotte Brontë (1881)
From Edmund Gosse, Critical Kit-Kats (1896)
From G.K. Chesterton, The Victorian Age in Literature (1913)
From Virginia Woolf, The Second Common Reader (1931)
Appendix B: Religion and Factory Reform
I Religion
From The Guardian (22 January 1851)
From Samuel B. Holcombe, Southern Literary Messenger (December 1861)
From [Hannah Lawrance], The British Quarterly Review (October 1865)
From The True Mary (1868)
From Peter Bayne, Two Great Englishwomen: Mrs Browning and Charlotte Brontë (1881)
II Factory Reform
From Frances Trollope, The Life and Adventures of Armstrong (1844)
From On the Employment of Children and Young Persons (1841)
Appendix C: Trans-Atlantic Abolitionism and Responses to EBB's Anti-Slavery Poems
I From The Liberty Bell
From George S. Burleigh, "The Worth of the Union" (1845)
Martha Hempstead, "The Fugitive" (1845)
Maria Lowell, "The Slave-mother" (1846)
From William Lloyd Garrison, "The American Union" (1845)
II The Original Opening of "The Runaway Slave at Pilgrim's Point"
III Responses to "The Runaway Slave at Pilgrim's Point" and"Hiram Powers' Greek Slave"
The Literary World on "Hiram Powers' Greek Slave" and "The Runaway Slave at Pilgrim's Point" (1851)
Charlotte Forten on "The Runaway Slave at Pilgrim's Point" (1854)
Appendix D: The Italian Question, Reviews of Casa Guidi Windows, and Reviews of Poems Before Congress
From [Giuseppe Mazzini], Westminster Review (April 1852)
From The Athenaeum (7 June 1851)
From The Leader (14 June 1851)
From The Spectator (28 June 1851)
From Eclectic Review (September 1851)
From [Henry Fothergill Chorley], The Athenaeum (17 March 1860)
From [Henry Fothergill Chorley], The Athenaeum (7 April 1860)
From The Atlas (24 March 1860)
From [William Edmondstoune Aytoun], Blackwood's Edinburgh Magazine (April 1860)
Inscription on the Brownings' home, Casa Guidi (1861)
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