Empirical Art : Filmmaking for Fieldwork in Practice (Anthropology, Creative Practice and Ethnography)

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Empirical Art : Filmmaking for Fieldwork in Practice (Anthropology, Creative Practice and Ethnography)

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  • 製本 Hardcover:ハードカバー版／ページ数 296 p.
  • 言語 ENG
  • 商品コード 9781526170781

Full Description

Empirical art: Filmmaking for fieldwork in practice is an insightful exploration of what the craft of filmmaking brings to social science research. Providing creative avenues on how to narrate encounters, relationships, and experiences during fieldwork, this comprehensive volume offers a rich tapestry of theoretical explorations and explorative methodologies. Skilfully connecting the worlds of ethnography, art and cinema, the contributors in this book act as a compass for filmmakers and researchers venturing to use a camera and microphone to relate and narrate their research collaborations and fieldsites.

Drawing from the authors' extensive experience in disciplines like social anthropology, environmental humanities, and political science, "Empirical Art" breaks down the intricate process of crafting ethnographic films that departs from the researcher's subjectivity. Covering aspects of filmmaking from conceptualisation to production and distribution, readers are equipped with a treasure trove of collaborative techniques, innovative approaches, and ethical considerations necessary to generate and examine storytelling practices in contemporary fields of study.

The authors discuss the significance of the multiple roles that technologies of filmmaking play in reflecting on cultural practices, social dynamics, and (beyond) human storytelling and their transformative potentials. Whether a seasoned filmmaker, an aspiring ethnographer, or an academic seeking new dimensions for their research, Empirical Art serves as a guide to integrating visual storytelling, cinema craft and empirical research.

Contents

Introduction: Crafting connections by Martha-Cecilia Dietrich and Andy Lawrence

Part I:Narrating experience
1.Bearing: Documenting the self in early motherhood. Rosie Reed Hillman
2 The screen walk method: Evoking the social lifeworlds of digital environments. Steffen Köhn ·
3 Filming pasts, presents and futures: Bringing the archive to life and seeing the archive in life. Stephen A. Linstead
4 The aesthetics of access: Filmmaking in a Balinese 'deaf village'. Erin Moriarty

Part II: The camera as a catalyst
5 The magic of a floating stone: Ciné-play in poetic imaginaries of old age. Jón Bjarki Magnússon
6 The potentiality of form: Essayistic modes in making an ethnographic documentary. Anja Dreschke and Michaela Schäuble
7 Beyond the recording button: The role of the camera in post-war memory research. Martha-Cecilia Dietrich

Part III: At the edge of the frame
8 My lustful eye: Filmmaking, 'empirical excess' and the limits of being in control of one's art. Mattijs van de Port
9 Expanding the limits: Observational and VR filmmaking with women and children in prison. Rossella Schillaci
10 The productivity in failure: Filmmaking as transformative practice. Andy Lawrence

Part IV: Taking position
11 Contesting invisibility: Stories of Indian migrant women in Japan. Megha Wadhwa
12 An international love affair at the Chinese-Russian border: A filmic event ethnography. Elena Barabantseva
13 Losing face: Complicating human subjectivity through multispecies character development. Annika Capelàn
14 The political 'opponent' in my lens. Christine Moderbacher
Epilogue: From experience to empirical art. David MacDougall

Index