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Full Description
A new ethics for the global practice of curating
Today, everyone is a curator. What was once considered a hallowed expertise is now a commonplace and global activity. Can this new worldwide activity be ethical and, if yes, how? This book argues that curating can be more than just selecting, organizing, and presenting information in galleries or online. Curating can also constitute an ethics, one of acquiring, arranging, and distributing an always conjectural knowledge about the world.
Curating as Ethics is primarily philosophical in scope, evading normative approaches to ethics in favor of an intuitive ethics that operates at the threshold of thought and action. It explores the work of authors as diverse as Heidegger, Spinoza, Meillassoux, Mudimbe, Chalier, and Kofman. Jean-Paul Martinon begins with the fabric of these ethics: how it stems from matter, how it addresses death, how it apprehends interhuman relationships. In the second part he establishes the ground on which the ethics is based, the things that make up the curatorial-for example, the textual and visual evidence or the digital medium. The final part focuses on the activity of curating as such-sharing, caring, preparing, dispensing, and so on.
With its invigorating new approach to curatorial studies, Curating as Ethics moves beyond the field of museum and exhibition studies to provide an ethics for anyone engaged in this highly visible activity, including those using social media as a curatorial endeavor, and shows how philosophy and curating can work together to articulate the world today.
Contents
Contents
Introduction: Excess and More
Gods And Mortals
Dark Matter
Matter
Law
Mortals
God
Gods
Beckoning
Obsession
Strife
The Absolute
Earths and Skies
Earths
Skies
Objects
Angels
Words
Ghosts
Images
Gnoses
Contents
Names
Deeds and Ends
Saving
Caring
Preparing
Irritating
Fraternizing
Communing
Dignifying
Midwifing
Intuiting
Dispensing
Conclusion: Irony and Progeny
Acknowledgments
Notes
Bibliography
Index
