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Full Description
Provides the first critical overview of acting, stardom, and performance in post-war Italian film (1945-54), with special attention to the figure of the non-professional actor, who looms large in neorealist filmmaking.
Italian post-war cinema has been widely celebrated by critics and scholars: films such as Bicycle Thieves (De Sica, 1948) and Paisan (Rossellini, 1946) remain globally influential, particularly for their use of non-professional actors. This period of regeneration of Italian cinema initiated the boom in cinemagoing that made cinema an important vector of national and gender identity for audiences.
The book addresses the casting, performance, and labour of non-professional actors, particularly children, their cultural and economic value to cinema, and how their use brought ideas of the ordinary into the discourse of stars as extraordinary. Relatedly, O'Rawe discusses critical and press discourses around acting, performance, and stardom, often focused on the 'crisis' of acting connected to the rise of non-professionals and the girls (like Sophia Loren) who found sudden cinematic fame via beauty contests.
Contents
List of Illustrations
Acknowledgements
Introduction: The Non-Professional Actor: Histories, Theories, Performances
1. Acting, Stardom and the Non-Professional in Italy from Fascism to the Post-War
2. Bodies, Voices, Afterlives: Case Studies of Bicycle Thieves' Lamberto Maggiorani, and the Cast of La Terra Trema
3. Girls, Stardom, and the Danger of Cinema
4. The Non-Professional Child Actor: Beyond Bicycle Thieves
5. The Non-Professional in Contemporary Global Cinema
Conclusion
References
Index
