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Full Description
Watership Down (Martin Rosen, 1978) is as controversial as it is beloved. Whether due to the tear-jerking hit song 'Bright Eyes' or its notorious representation of violence inflicted by and upon animated rabbits, the film retains the ability to move and shock audiences of all ages, remaining an important cultural touchstone decades after its original release.
This open access collection unites scholars and practitioners from a diversity of perspectives to consider the ongoing legacy of this landmark of British cinema and animation history. The authors provide nuanced discussions of Watership Down's infamous animated depictions of violence, death and its contentious relationship with child audiences, as well as examinations of understudied aspects of the film including its musical score, use of language, its increasingly relevant political and environmental themes and its difficult journey to the screen, complete with behind-the-scenes photographs, documents and production artwork. As the first substantial work on Watership Down, this book is a valuable companion on the film for scholars, students and fans alike.
The eBook editions of this book are available open access under a CC BY-NC-ND 4.0 licence on bloomsburycollections.com.
Contents
List of Illustrations
List of Tables
Notes on Contributors
Acknowledgements
Introduction: Watership Down in context
Catherine Lester (University of Birmingham, UK)
Part I: Bringing the Warren to Life
1. 'We consider the conduct of this film highly unsatisfactory and unprofessional': Film finances and Watership Down
Llewella Chapman (University of East Anglia, UK) and James Chapman (University of Leicester, UK)
2. Revisiting the production of Watership Down through the Arthur Humberstone Animation Archive
Klive Humberstone (Independent Researcher, UK), Nigel Humberstone (Independent Researcher, UK) and Chris Pallant (Canterbury Christ Church, UK)
3. 'Trying to Eat Grass that isn't There': Unearthing A lapine corpus in Richard Adams' Watership Down and its film adaptation
R. Grider (Independent Scholar, USA)
Part II: Animal Stories
4. Animating utopia: Aesthetic instability and the revolutionary gaze in the film adaptation of Watership Down
Lisa Mullen (University of Cambridge, UK)
5. 'Whenever They Catch You, They Will Kill You': Human-animal conflict in 1970s British children's cinema
Noel Brown (Liverpool Hope University, UK)
6. They watered ship down: Eco-doom and ecopedagogy in adaptations of Watership Down and The Animals of Farthing Wood
Hollie Adams (Independent researcher, UK)
7. Watership Down under: When rabbits came to Australia
Dan Torre (RMIT University, Australia) and Lienors Torre (Deakin University, Australia)
Part III: Aesthetics of Sound and Image
8. 'English pastoral melodies': the traditions and connotations of Angela Morley's musical score for Watership Down
Paul Mazey (Independent Scholar, UK)
9. 'I know now. A terrible thing is coming': Watership Down, music and/as horror
Leanne Weston (University of Warwick, UK)
10. Pastel dreams and crimson nightmares: Colour, aesthetics and Watership Down
Carolyn Rickards (Independent Scholar, UK)
11. Prince with a thousand faces: Shifting art-styles and the depiction of violence in Watership Down
Sam Summers (Middlesex University, UK)
Part IV: Affective Encounters with the Rabbit
12. Drawing blood: The forms and ethics of animated violence in Watership Down
Josh Schulze (University of Michigan, USA)
13. 'Won't somebody please think of the bunnies?': Watership Down, rabbit horror and 'suitability' for children
Catherine Lester (University of Birmingham, UK)
14. Mourning Hazel-rah
Catherine Sadler (Independent Scholar, UK)
Guide to Further Research
Index
