Full Description
Using cine-ethnomusicology as a focus, Cineworlding introduces readers to ways of thinking eco-cinematically. Screens are omnipresent, we carry digital cinema production equipment in our pockets, but this screen-based technological revolution has barely impacted social science scholarship. Mixing existential phenomenological fiction about social science digital cinema research practice followed by theoretical reflection and discussion of methods, this book has emerged from a decade-long inquiry into cineworlding and a desire to help others produce digital media to engage creatively with the digital networks that surround us.
Contents
Acknowledgements
Introduction: A Cinematic Style of Thought
1. Cineworlding with Musics' Undercommons
2. A Worlding Proposition For/From an Alternate Reality
3. Living Flame of Love: Creative Practice Research and Practical Musicology
4. Virtual and Actual in Posthumanography
5. Diagrammatic Posthumanography of Margø's "In Between"
6. Bodying in Intensive and Extensive Spaces: "John Wort Hannam is a Poor Man"
7. Quartet 2 and Affective Vectoring
8. Crystal Image in Cinematic Research-Creation: Pimachihowan, A Case Study
9. The Crowd Behind the Lens: We're Too Loud
10. Elders' Room: The Opportunities and Challenges of Decoloniality
11. Activist Minor Cinema
Notes
Index
