Full Description
This book explores the symbolic connections between Christianity and Heavy Metal music in the context of the secular West. Heavy Metal uses symbols and imagery taken from Christianity, even if the purpose is to critique religion. This usage creates a positive connection with an interpretation of Christianity as a form of cultural critique. Given that Metal and Christianity are associated with Western culture, this book explores how Christianity and Heavy Metal function within the context of secularity as a form of ideological critique. Using the ideas of Emile Durkheim, Max Weber, and Charles Taylor as a starting point, this book explores the religious nature of secularism in the West interpreted in the immanent processes of politics and economics. In this connect, both Christianity and Heavy Metal provide a cultural critique through images of death, the grotesque, and sacrifice. By bringing this religious interpretation of secularism into conversation with the ideas of Georges Batailles, Slavoj Žižek, and Jürgen Moltmann, this book will demonstrate the positive relationship between Christianity and Heavy Metal.
Contents
Introduction: Finding God in the Dark
Chapter 1: Over the Hills and Far Away: The Mythology of Heavy Metal
Chapter 2: The Beautiful People: Heavy Metal as Ideological Transgression
Chapter 3: Into the Void: Heavy Metal as Cultural Tactic
Chapter 4: God is Dead: The Christ Event as Impure Sacred
Chapter 5: Why Have You Forsaken Me?: The Subversive Christian Core of Heavy Metal
