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Summer. 1990. West Germany. Conversation over a sketchbook outside Museum Holstentor reveals a foreignerOs errand. Drawings show me various oddities hammered by her kinsman from a burial megalith. Cast into the Baltic Sea in 1582, these occult reductions have seen resurfacing. Society Ludvika is a lyrical collection of suppressed paths and pathfinders, that an arsonistOs sketchbook survives solely to bring to light.



