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Full Description
American classic films noir, beginning with 1941's The Maltese Falcon and ending with 1950's Sunset Boulevard, and the neo-noir films made from the 1970s onward, share certain thematic aspects, stylistic qualities, and cultural contexts. Their concern with politics, their depiction of con artists, and the way their characters are shaped by America's puritanical religious roots show that these films are examples of a unique American genre, even when the films' directors are German emigres with artistic roots in European Expressionism.
The films' psychological depth is revealed stylistically through complex narratives, with select directors generating visual poetry as they deal with sex, violence and betrayal. Some films are based on popular novels inspired by true crime cases. A unique approach to film noir scholarship, this book discusses the genre's thematic aspects, cultural contexts and stylistic qualities. For those films based upon novels, in-depth analysis of the fiction is provided alongside the film version, resulting in a fuller, more thorough understanding of the genre.
Contents
Table of Contents
Acknowledgments viii
Preface
Introduction
One. Lit from Behind: The Genesis and Continuity of Film Noir
Two. All the Guys with Eye Patches: Hard Bitten Film Noir
Three. Commies, Nazis and Fascists: Politics in Film Noir
Four. "Something Further May Follow...": Con Artists and Scams in Film Noir
Five. Double Crosses: Religious Delusion in Film Noir
Six. Highways, By-ways and Dislocations: The Self in Neo-Noir
Chapter Notes
Filmography
Bibliography
Index
