- ホーム
- > 洋書
- > 英文書
- > Cinema / Film
Full Description
Few scary stories begin with a disclaimer that they are fictional. Instead, they claim to be true even when they are not. Such stories blur the line between fiction and reality, pushing audiences to consider where fiction ends and reality begins. These kinds of horror stories comprise the understudied subgenre of liminal horror.
As the first book on this subject, this volume surveys a variety of liminal horror films. It discusses the different variations within liminal horror's sub-genres and considers why horror films are obsessed with the natures of, and borders between, fiction and reality. After first laying out the basic traits of the horror genre in the context of liminality, this book then dives into film more specifically and how the medium is uniquely situated to explore the movement between the fictional and the real. Through lenses such as dreaming, memory, and perception, the following chapters explore the role liminal horror plays in the the human psyche's subconscious/unconscious, and the various functions of the human mind in perceiving, or misperceiving, reality.
Contents
Table of Contents
Acknowledgments
Preface
Introduction
One—United in Darkness: The Nature of Liminal Horror
Two—Shattered Screens and Punctured Skin: When the Fictional Becomes Real
Three—Emblazoned in Our Memories: When the Real Becomes Fictional
Four—Harsh Realities: Truth Is Scarier Than Fiction
Five—Was It All a: Dream(s) and the Liminal Horror Film
Six—The Mind's Power: This Is Not Reality
Seven—Powers of Belief: How the Mind Writes Reality
Afterword
Chapter Notes
Bibliography
Index
