Horror Comes Home : Essays on Hauntings, Possessions and Other Domestic Terrors in Cinema

個数：

Horror Comes Home : Essays on Hauntings, Possessions and Other Domestic Terrors in Cinema

Miller, Cynthia J. (EDT)/ Van Riper, A. Bowdoin (EDT)

ウェブストア価格 ¥8,830（本体¥8,028）
McFarland & Co Inc（2019/07発売）
外貨定価 US$ 39.95
ポイント 80pt

提携先の海外書籍取次会社に在庫がございます。通常3週間で発送いたします。
【重要ご説明事項】
1. 納期遅延や、ご入手不能となる場合が若干ございます。
2. 複数冊ご注文の場合は、ご注文数量が揃ってからまとめて発送いたします。
3. 美品のご指定は承りかねます。

●3Dセキュア導入とクレジットカードによるお支払いについて

【入荷遅延について】
世界情勢の影響により、海外からお取り寄せとなる洋書・洋古書の入荷が、表示している標準的な納期よりも遅延する場合がございます。
おそれいりますが、あらかじめご了承くださいますようお願い申し上げます。

◆画像の表紙や帯等は実物とは異なる場合があります。

◆ウェブストアでの洋書販売価格は、弊社店舗等での販売価格とは異なります。
また、洋書販売価格は、ご注文確定時点での日本円価格となります。
ご注文確定後に、同じ洋書の販売価格が変動しても、それは反映されません。

製本 Paperback:紙装版/ペーパーバック版／ページ数 279 p.
言語 ENG
商品コード 9781476679679
DDC分類 791.436164

Full Description

Home, we are taught from childhood, is safe. Home is a refuge that keeps the monsters out--until it isn't.

This collection of new essays focuses on genre horror movies in which the home is central to the narrative, whether as refuge, prison, menace or supernatural battleground. The contributors explore the shifting role of the home as both a source and a mitigator of the terrors of this world, and the next.

Well known films are covered--including Psycho, Get Out, Insidious: The Last Key and Winchester House--along with films produced outside the U.S. by directors such as Alejandro Amenabar (The Others), Hideo Nakata (Ringu) and Guillermo Del Toro (The Orphanage), and often overlooked classics like Alfred Hitchcock's The Lodger.

Table of Contents

Acknowledgments

Introduction (Cynthia J. Miller and A. Bowdoin Van Riper)

I. Uncanny Spaces

Romping with Freud in the Pink Palace: Abjection, the Uncanny and the Victorian Feminine in Henry Selick's Coraline (2009) (Sue Matheson)

Guillermo del Toro's Home for Horrified Orphans (William M. Crouch)

This House Is Ours: Haunting the Self in Alejandro Amenábar's The Others (Ismael Ibáñez-Rosales and Anabel Altemir-Giral)

Inside the Box: Home, Horror and Helplessness in Demon Seed (A. Bowdoin Van Riper)

II. Dark Legacies

Ghost Karma: The Winchester House as Spiritual Reparation (Thomas Robert Argiro )

The House That White Privilege Built: Jordan Peele's Get Out and the Haunting Legacy of Plantation Slavery (Cammie M. Sublette)

Haunted Suburbs, Missing Children and the Reagan-Era Bogeyman: Stalking Gothumentary Catharsis in Cropsey (Ruth Goldberg)

Feminism's Reoccurring Nightmare: Monstrous Patriarchy, Pulp Horror and The Stepford Wives (Ruth Wollersheim)

Fractured Heroines, Traumatic Pasts: Traversing the Haunted

Homes of Horror (Nina K. Martin)

III. Troubled Minds and Bodies Television Killed the Video Star: How A&E's Bates Motel Explains the Shock of Hitchcock's Psycho as a Realist Account of Daily Life in Late Capitalism (David Anshen)

Home Invasions: Masculine Spaces and the Mind

in Manhunter (Brian Brems)

Shallow Focus: Trawling the Gothic Undercurrents of Lake Mungo

(Duncan Hubber)

The Horror of the Circus: Exhibiting Disability in Freaks (1932) and American Horror Story: Freak Show (2014) (Tatiana Prorokova)

IV. Insidious Threats

"We never knew you lived in the block": The White Mother and Black Male Sexual Violence in Attack the Block (Bart Bishop)

Coming Home to Horror in Insidious: The Last Key (Cynthia J. Miller)

You Saw Me, Didn't You? The Horror of the Mediated Eye in the Occult Horror Ringu Franchise (Senjo Nakai)

The Stranger in the House: Interwar Crisis Comes Home in Alfred Hitchcock's The Lodger: A Story of the London Fog (1927)

(Thomas Prasch)

"Lamento lo que va a ocurrir aquí": The Place(lessness) of Youth in Mexico in Carlos Enrique Taboada's Más negro que la noche (Phillip Serrato)

About the Contributors

Index