Film Style in Indonesian Cinema, 1998-2018 : Lighting, Production Design and Camera Movement

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Film Style in Indonesian Cinema, 1998-2018 : Lighting, Production Design and Camera Movement

Purnama, Ari

ウェブストア価格 ¥25,005（本体¥22,732）
Edinburgh University Press（2023/09発売）
外貨定価 US$ 120.00
ポイント 227pt

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製本 Hardcover:ハードカバー版／ページ数 224 p.
言語 ENG
商品コード 9781474496612
DDC分類 791.4309598

Full Description

Examines the use of cinematography and mise en sc ne in contemporary Indonesian cinema

The first scholarly work that considers Indonesian cinema as an artistic field with significant aesthetic values and artistic accomplishments
Uses theories of film style never applied to Indonesian films before
Discusses films from underrepresented groups, including women, LGBTQ and ethnic minority filmmakers
?Discusses Indonesian films that have been traditionally under-discussed in the field, including commercial genre films, exploitation films and short films

Film Style in Indonesian Cinema, 1998-2018 investigates the role of film style during the rebirth of Indonesian cinema following the collapse of General Suharto's New Order regime. Purnama argues that the renewal of Indonesian cinema was influenced by filmmakers who revamped the cinematic images of Indonesian film by foregrounding visual stylisation using cinematography and production design techniques. They transformed the aesthetic of Indonesian film to become stylistically complex with a pronounced degree of visual sophistication, offering local audiences pictorially appealing and engaging cinematic experiences.

Through a close analysis of lighting, production design, and camera movement in contemporary films such as Sang Pencerah, Laskar Pelangi, and The Raid: Redemption, Purnama highlights the significance of film style and the art of film-making to the cinematographers and production designers who revitalised Indonesian cinema in the 21st Century.

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List of Figures

Acknowledgements

Part I Exposition: What the Book Sets Out To Do and Accomplish

1. Introduction

2. Towards a Stylistics of Indonesian Film

3. What Can Film Style Do in Narrative Cinema?

Part II Rising Action: How Indonesian Cinema Evolved Aesthetically

4. Evolution By Means of Stylistic Supression

Part III Climax: The Analyses, or: How Lighting, Production Design and Camera Movement Transform Indonesian Cinema Into a Stylistically Complex Cinema

5. Lighting and Visual Opacity

6. Production Design and Diegetic Detail

7. Camera Movement and Textural Reflexivity

Part IV Resolution: Wrapping Up and Looking Ahead

8. Concluding Notes: All the Stylistic Pieces Matter

Bibliography

Filmography