ReFocus: the Films of Mary Harron (Refocus: the American Directors Series)

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ReFocus: the Films of Mary Harron (Refocus: the American Directors Series)

Barrett, Kyle (EDT)

ウェブストア価格 ¥5,198（本体¥4,726）
Edinburgh University Press（2023/07発売）
外貨定価 US$ 24.95
ポイント 47pt

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製本 Paperback:紙装版/ペーパーバック版／ページ数 192 p.
言語 ENG
商品コード 9781474494427
DDC分類 791.430233092

Full Description

Offers the first first book-length study of Mary Harron's career and works

Argues that Harron's work has a distinguishing approach to stylistic and aesthetic choices prompted by cultural contexts, controversial subject matter and production limitations
Explores her depiction of masculinity, patriarchy, feminism, and biopic genre
Positions Harron's filmmaking as a diverse, challenging body of work that is contextualized within contemporary industry practicesMary Harron's diverse career includes cult films like I Shot Andy Warhol, American Psycho and The Notorious Bettie Page, as well as a range of network and cable television episodes. This is the first book to examine an overlooked filmmaker in relation to feminist cinema. It discusses the dialectical dynamics within her wide-ranging body of work, and it argues that Harron's work has a distinguishing approach to stylistic and aesthetic choices prompted by cultural contexts, controversial subject matter and production limitations.

Each chapter provides an in-depth study on Harron's creative approaches to film and television production, with chapters offering close readings of each of her 5 narrative features, and her work in television and promotional film. With scholarly approaches from the fields of cinema, television, gender, fashion, death and celebrity studies, this is a long-awaited introduction to a groundbreaking figure in contemporary cinema.

Acknowledgements

Introduction - Kyle Barrett

PART ONE: BIOPICS

1. I Shot Andy Warhol: Fame, Notoriety and Mary Harron's Anti-biopics - Janice Loreck

2. On the Other Side of the Icon: Making Images and Restaging Celebrity Spectacle in Anna Nicole - Kimberley Lamm

PART TWO: FEATURE FILMS AND PRODUCTION CONTEXTS

3. Dream of the '90s: Mary Harron in Indiewood - Kyle Barrett

4. "I Like to Dissect Girls": Mary Harron's American Psycho as Gendered Metafiction - Coco d'Hont

5. "And then I met Lucy": Perfection, Same-Sex Desire, and Social Control in Mary Harron's The Moth Diaries - Caroline Speller

6. Charismatic Breadwinner Killer: Gender Power Relations in Charlie Says (2018) - Gemma Piercy-Cameron

PART THREE: TELEVISION AND SHORT FILM PRODUCTION

7. Death to Disposal: Echoes of American Psycho in The Rainbow of Her Reasons (Six Feet Under) - Gareth Schott

8. Sartorial Interventions: When Fashion and Film Collide in Armani (Mary Harron, 2012) - Elena Caoduro

Index