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Full Description
Lucrecia Martel has made only four feature films to date, but has nonetheless become one of the world's most admired directors. Her work is extraordinarily sensitive to the limits of sensory perception, the limits imposed by gender roles, and the limits of empathy and affect across social divisions. This edited collection broadens the critical conversation around Martel's work by integrating analyses of her features with the less frequently studied short films and her other artistic projects. This volume's fresh, holistic approach to Martel's career includes contributions from scholars in Latin America, Europe and the United States, and ends with a new interview with Martel herself.
Contents
Metamorphosis and Persistence: An Introduction - Natalia Christofoletti Barrenha, Julia Kratje and Paul R. Merchant
Speeds, Generations, and Utopias (Concerning Lucrecia Martel's The Swamp) - Ana Amado
Sounding Class, Race and Gender in Lucrecia Martel's The Swamp - Dianna C. Niebylski
Being Unable to See and Being Invisible: Unrecognizable, Inaudible Voices in Fish, New Argirópolis, and Muta - Ana Forcinito
Muta: Monstrosity and Mutation - Mariana Souto and Mônica Campo
Short Films as Aesthetic Freedom - Emilio Bernini
Masculinity, Desire and Performance in The Holy Girl - Gonzalo Aguilar
Other Areas: The Bio-Communal and Feminine Utopia of Cornucopia - Alejandra Laera
Realities Made to Order. On The Headless Woman - Malena Verardi
Fevers, Frights, and Psychophysical Disconnections: Invisible Threats in the Soundtracks of Zama and The Headless Woman - Damyler Cunha
Martel Variations - Adriana Amante
'They Smother You' - Nora Catelli
'A Kind of Bliss, a Closing Eyelid, a Tiny Fainting Spell': Zama and the Lapse Into Colour - Deborah Martin
Phenomenology of Spirits: Off-Screen Horror in Lucrecia Martel's Films - David Oubiña
The Conquest of the Uncomfortable. An Interview with Lucrecia Martel - Natalia Christofoletti Barrenha, Julia Kratje and Paul R. Merchant
