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Full Description
A queer auteur who plays with generic conventions, Francois Ozon is one of France's most prolific and best known international directors, who has built a filmography that not only engages in the representation of non-normative sexualities, kinship and violence, but also makes room for social outcasts and marginalised communities. This edited collection brings together renowned and emergent scholars to investigate further questions of minority, queerness, (queer) intertextuality and gender representations, as well as secrecy, transgression and intimacy in his films, offering the most up-to-date study of Francois Ozon's cinema.
Contents
Introduction: In the beginning was the word - Loïc Bourdeau
Part One: The Politics of Form
1. Queer Tyranny and Intertextuality in Gouttes d'eau sur pierres brûlantes: François Ozon Pays Homage to Master Fassbinder - Amy Bertram
2. François Ozon's Sitcom and Politics of Form - Tamara Tasevska
3. Queering the Trenches: Homoerotic Overtones in Frantz - Helena Duffy
4. The Crystal-Image and Queer Ambiguity in Sous le sable - Peadar Kearney
5. French Ozon/Global Ozon: French Specificity and Globalisation in Jeune & jolie - Felicity Chaplin
Part Two: (In)Formal Politics
6. 'The Scent of a Middle-class Woman': Desire, family and the adolescent imagination in François Ozon's Dans la maison - Jamie Steele
7. Bringing Up Baby in the Twenty-First Century: Le Refuge and the Ozonian Family - Thibaut Schilt
8. Transing Dynamics: Ozon's Une nouvelle amie - Todd W. Reeser
9. Sex Wars in Potiche: Womanhood Then and Now - Loïc Bourdeau
10. Female Creativity, Selfishness and Monstrosity in François Ozon's Angel - Fiona Handyside
11. From Faits Divers to Grandes Affaires: Giving Voice to Sexual-Abuse Survivors in Grâce à Dieu - Levilson C. Reis
