Counter-Memories in Iranian Cinema

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Counter-Memories in Iranian Cinema

Wittmann, Matthias (EDT)/ Holl, Ute (EDT)

ウェブストア価格 ¥26,048（本体¥23,680）
Edinburgh University Press（2021/10発売）
外貨定価 US$ 125.00
ポイント 236pt

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製本 Hardcover:ハードカバー版／ページ数 272 p.
言語 ENG
商品コード 9781474479752
DDC分類 791.430955

Full Description

Far?d ad-D?n-e ?A???r's Persian folk tale The Conference of the Birds relates the quest by thousands of pilgrim birds for an ideal king, the mythical bird called S?morgh. At the end of the quest, the surviving birds recognise that the longed-for king is nothing other than the reflection of their own existence. But what about those other birds that were not able to become part of the final representation? This groundbreaking book calls them 'counter-memories'; memories that are barred from hegemonic history, but are, nevertheless present in cinematic forms. Due to the strategic and artistic interventions of a range of Iranian filmmakers, such as Abbas Kiarostami and Shahram Mokri, Ali Hatami and Tahmineh Milani, Kianoush Ayari and Rakshan Banietemad, the history of post-revolutionary Iranian Cinema is also structured by counter-memories, with the potential to destabilise officially fabricated success stories of revolution, war and sacred defence. Counter-Memories in Iranian Cinema establishes a new framework for understanding the tensions between censorship and resistance, helping to carve out resistant points of remembering both within and outside state-controlled cinema.

Introduction - Matthias Wittmann and Ute Holl

Part I: An Archaeology of Possible Futures

1. The Incomplete: Film, Politics, and Remembering the Past - Tara Najd Ahmadi

2. The Hidden Half, or the Temporal and Collective Politics of Counter-Memory - Sara Saljoughi

3. Counter-Investigations. On Matchboxes, Black Boxes and other Forgotten Futures - Chowra Makaremi and Emmanuel Alloa

Part II: Material Matters - Memory, Accessibility, translation

4. An Archaeology of Access: Materiality, Historiography, and Iranian Cinema - Blake Atwood

5. Black Seals: Missive from Iran's National Music - Negar Mottahedeh

6. Different Time, Different Space: Filmic Forms of Counter-Memory in Abbas Kiarostami's Koker Trilogy - Ute Holl

Part III: Interstices. Niches. Impure Memories

7. Towards an Impure Memory. An Archaeology of Counter-Memories through Telescoping Lenses - Matthias Wittmann

8. Seeking Love in the Interstices: Acousmatic Listening as Counter-Memory in Abbas Kiarostami's Shirin (2008) - Michelle Langford

9. Spiritual Counter-Memories of the War: Mohammad Ali Ahangar's Recent Contributions to the Sīnemā-ye Defāʿ-ye Moqaddas - Viktor Ullmann

Part IV: Transgenerational Gaps and Transmissions

10. Filmfarsi as Counter-memory - Pedram Partovi

11. A Shadow for Invisible Films. A Way to Break the Monopoly of Image Production in Iran - Shahram Mokri

12. At the End of a Century (1996) - Bahram Beyzaie (translated by Amir Roshan)