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Full Description
Paul Schrader's unique relationship to the role of the author (as screenwriter, director and critic) has long informed his cinema, and raises complicated questions about the definition of the auteur. This volume of essays includes the first original appraisals of his much-lauded masterpiece First Reformed (2017), as well as a chapter-length interview with Schrader himself, conducted by the editors. Michelle E. Moore PhD is Professor of English at the College of DuPage.
Contents
Acknowledgements
Contributors
Introduction: Taxi Driver Forward - Brian Brems and Michelle E. Moore
Schrader and Style - Erik M. Bachman
Movement and Meaning: The "unmotivated" Camera in Four Films by Paul Schrader - Deborah Allison
Late Schrader: From the Canon to the Canyons - BillyStevenson
"Thinking White:" Performing Racial Tension in Blue Collar - Scott Balcerzak
Prophets and Zealots: Paul Schrader's Adaptations of The Mosquito Coast and The Last Temptation of Christ - Erica Moulton
"So I find another form of expression": Art and Life/Art in Life in Paul Schrader's Mishima: A Life in Four Chapters - Thomas Prasch
Schrader's Women: Cat People and Patty Hearst - Brian Brems
Paul Schrader's Experiment in Italian Neo-decadence: The Comfort of Strangers and the Sadean System - Robert Dassanowsky
"Just Being Transparent Baby": Surveillance Culture, Digitization and Self-Regulation in Paul Schrader's The Canyons - James Slaymaker
"Every Act of Preservation Is an Act of Creation": Paul Schrader's Eco-Theology in First Reformed - Tatiana Prorokova
Leaning on the Everlasting Arms: Love and Silence in First Reformed - Robert Ribera
Interview with Paul Schrader conducted by Michelle E. Moore and Brian Brems on 9/27/2018 at the Rail Line Diner, NY
Filmography
Bibliography
