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Full Description
Bringing together a range of international scholars, European Film Remakes discusses for the first time the textual, socio-cultural, political, and industrial mechanisms and singularities of the film remake in a European context. Offering a variety of historical, theoretical, and methodological approaches, the book is illustrated by a wide range of case studies from across Europe, including films like A Bigger Splash, Open Your Eyes and Perfect Strangers. Although commonly understood as a typical Hollywood practice, this book demonstrates how film remakes are, and always have been, a significant part of the European film culture and industry.
Contents
List of Figures and Tables Notes on Contributors
Preface - Tom Leitch
Film Remakes in the Context of European Cinema: an Introduction - Eduard Cuelenaere, Gertjan Willems & Stijn Joye
Part I: Conceptual Perspectives: Delineating and Pushing the Boundaries of Remake Studies
1. The Film Remake as a Prism: Towards a Model of Systematic Textual Analysis - Cuelenaere Eduard
2. The 'Secret Remake': A European Take on the Traditional Remake? - Marie Martin
3. From 'Mini-Remake' to Open-ended Coda: How to Make a 'Proper' Homage - Peter Verstraten
4. Rainer Werner Fassbinder's 'Berlin Alexanderplatz' (1980) as a Remake? - Mario Slugan
5. Remakesploitation: Exploitation Film Remakes and the Transnational Giallo - Iain Robert Smith
Part II: Historical Perspectives: Continuity and Change
6. Re-forming La Maternelle: Social-Cultural Continuity and the Remake - Jennifer Forrest
7. Screening Transformation Processes: Post-war Remakes of Nazi-era Films - Stefanie Mathilde Frank
8. The Colour Remakes of Swedish Classics in the 1950s: Production, Promotion, and Critical Reception in the Context of Technological Innovation - Kamalika Sanyal & Eduard Cuelenaere
Part III: Contemporary Perspectives: European Film Remakes in the New Millennium
9. Remakes à la polonaise: From National Readaptations to Internationally Inspired Romcoms - Kris Van Heuckelom
10. Nostalgic Mediations of the Soviet Past in Nikolai Lebedev's Remake The Crew (2016) - Boris Noordenbos & Irina Souch
11. Mistaken Identities: Millennial Remakes, Post-Socialist Transformation, and Hungarian Popular Cinema - Balazs Varga
12. Refashioning the Remake: A Bigger Splash - Constantine Verevis
Part IV: Industrial Perspectives: Practices of Production and Circulation
13. Remake and decline in Scottish cinema: Whisky Galore 1949 and 2016 - Robert Munro & Michael Stewart
14. 'Remakable' Directors: The Contemporary Spanish Media industry and the Popular Discourses on Remakes and National Authorship - Núria Araüna Baró
15. Remakes and Globally-Oriented European Cinema: Contemporary Industrial Practices and Shifting Hierarchies - Chris Meir
Index