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Full Description
This book is an account of how American realism in the Progressive Era contributed to debates about modernity. It uses the anthropological theories of Franz Boas, and Jacques Ranciere's work on aesthetics and politics to develop a mode of reading class and culture that challenges conventional interpretations that pit the two modes of representation in opposition. It paints a picture of the late-nineteenth century, prior to modernism, as an aesthetically exciting, original, and politically radical stage in American life to reinvigorate realism as a radical aesthetic practice, with implications for understandings of American literature both in the past and into the future.
Contents
List of Figures
Acknowledgements
Introduction: Modern Times; Or, Re-Reading the Progressive Era
Culture and Anarchy: Time, Narrative, and the Haymarket Affair
'Pure Feelings, Noble Aspirations and Generous Ideas': Yellow Journalism, the Cuban War of Independence, and crónica modernista
Manacled to Identity: Fugitive Aesthetics in Stephen Crane's Pluralistic Universe
Getting Some of the Way with Undine Spragg: Cosmopolitanism, Ethnography and War Work in the Novels of Edith Wharton
Coda: James Huneker, A Decadent Among the Modernists
Bibliography
Index