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Full Description
Bringing together the latest developments in the study of serial formatting practices - remakes, sequels, series - Film Reboots is the first edited collection to specifically focus on the new millennial phenomenon of rebooting. Through a set of vibrant case studies, this collection investigates rebooting as a practice that seeks to remake an entire film series or franchise, with ambitions that are at once respectful and revisionary. Examining such notable examples as Batman, Ghostbusters, and Star Trek, among others, this collection contends with some of the most important features of contemporary film and media culture today.
Contents
Introduction: Film Reboots 5
Daniel Herbert and Constantine Verevis
PART I: INDUSTRY AND COMMERCE
1. Rethinking the 'Supersystem': Film Reboots and the Teenage Mutant Ninja Turtles 31
Daniel Herbert
2. Live Long and Prosper: Rebooting Star Trek and Reimagining Fandom 53
Erin Hanna
3. The Many Reboots of the Batman 76
Eileen R. Meehan
PART II: STRUCTURE AND NARRATIVE
4. The Edge of Reality: Replicating Blade Runner 103
Constantine Verevis
5. Gender, Genre and the Reboot: From Ocean's 11/Eleven to Ocean's 8/Eight 124
Jennifer Forrest
6. Understanding Twin Peaks: The Return as a 'Film Reboot' via Anti-Franchise Discourses Within Media Franchising 145
Matt Hills
7. All This Has Happened Before: Mythic Repetition in the Film-to-Television Reboot 167
Nicholas Benson & Jonathan Gray
PART III: POLITICS AND IDENTITY
8. Resistance and Empire: Star Wars and the Social Justice Reboot 189
Derek Johnson
9. Rebooting the Politics of the Sports Melodrama: Creed vs. Rocky 214
Chuck Tryon
10. Ghost Girls: Ghostbusters, Popular Feminism and the Gender-Swap Reboot
236
Claire Perkins
PART IV: FANS AND AUDIENCES
11. Reboot, Requel, Legacyquel: Jurassic World and the Nostalgia Franchise 259
Kathleen Loock
12. Worldbuilding, Retconning, and Legacy Rebooting: Alien and Contemporary Media Franchise Strategies 283
James Fleury
13. Anticipating the Reboot: Teasing Top Gun 2 309
Paul Grainge
14. A Dark Knight on Elm Street: Discursive Regimes of (Sub) Cultural Value, Paratextual Bonding, and the Perils of Remaking and Rebooting Canonical Horror Cinema 331
William Proctor
Contributors 352
Notes