ReFocus: the Films of Spike Jonze (Refocus: the American Directors Series)

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ReFocus: the Films of Spike Jonze (Refocus: the American Directors Series)

Wilkins, Kim (EDT)/ Moss-Wellington, Wyatt (EDT)

ウェブストア価格 ¥7,907（本体¥7,189）
Edinburgh University Press（2021/05発売）
外貨定価 US$ 37.95
ポイント 71pt

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製本 Paperback:紙装版/ペーパーバック版／ページ数 264 p.
言語 ENG
商品コード 9781474447652
DDC分類 791.430233092

Full Description

ReFocus: The Films of Spike Jonze is the first collection of essays on this important and original contemporary filmmaker. It looks at his ground-breaking work in both features and short forms, exploring the impact of his filmmaking across a range of philosophical and cultural discussions.
Each of Jonze's feature films, from Being John Malkovich (1999) to Her (2013), is discussed at length, focusing on issues of authorship, narration, genre and adaptation. As well as the textual aspects of Jonze's feature films, the contributors consider his work in music videos and shorts - investigating his position as a filmmaker on the blurred boundaries between studio and independent modes of production.

List of Figures

Notes on Contributors

Acknowledgments

Introduction: Jonze Between the Lines; Kim Wilkins and Wyatt Moss-Wellington

PART I: Authorship and Originality

1: Adaptation in Adaptation in Adaptation in Adaptation; Wyatt Moss-Wellington

2: "I'll eat you up I love you so." Adaptation, Authorship, and Intermediality in Spike Jonze's Where the Wild Things Are; Eddie Falvey

3: Converging Indiewood: Spike Jonze, Propaganda Films and the Emergence of Specialty Film Giant USA Films; Yannis Tzioumakis

PART II: Psychology, Identity and Crisis

4: "You can be John Malkovich." Celebrity, Absurdity, and Convention in Being John Malkovich; Kim Wilkins

5: "I can't sleep. I'm losing my hair. I'm fat and repulsive." Crises of Masculinity and Artistry in Spike Jonze's Adaptation; Julie Levinson

5.5: Spike Jonze's Screenwriting: The Screenplay; Wyatt Moss-Wellington

PART III: Her

7: "Are These Feelings Even Real?" Intimacy and Authenticity in Spike Jonze's Her; Peter Marks

8: Machinic Empathy and Mental Health: The Relational Ethics of Machine Empathy and Artificial Intelligence in Her; Frances Shaw

9: The "tedious yammering of selves": The End of Intimacy in Spike Jonze's Her; Richard Smith

PART IV: Beyond the Feature

10: Spike Jonze Shorts Stories; Cynthia Felando

11: Spike Jonze, Propaganda/Satellite Films and Music Video Work: Talent Management and the Construction of an Indie-Auteur; Andrew Stubbs

12: Spike Jonze's Abbreviated Art of the Suburbs; Laurel Westrup