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Full Description
Publishing houses are nearly invisible in modernist studies. Looking beyond little magazines and other periodicals, this collection highlights the importance of book publishers in the diffusion of modernism. It also participates in the transnational turn in modernist studies, demonstrating that book publishers created new markets for modernist texts in the United States, Europe and the rest of the world.
Contents
Acknowledgements
List of Abbreviations
Introduction (Lise Jaillant)
Part 1: Pioneers
1. Modernism, Reform and the Traditional Business of Books: The B. W. Huebsch Imprint (Catherine Turner)
2. Young Americans: Transatlantic Connections in the Early Years at Knopf (Amy Root Clements)
3. 'Glad to be in the Fold': Boni & Liveright's Multifold Marketing of Modernism (Jennifer Sorensen)
4. The Hogarth Press (Claire Battershill)
5. Bringing the Modern to Market: The Case of Faber & Faber (John Xiros Cooper)
Part 2: Fine Books
6. Shakespeare and Company: Publisher (Joshua Kotin)
7. Publishing the Avant-Garde: Nancy Cunard's Hours Press (Mercedes Aguirre)
8. 'Flowers for the Living': Crosby Gaige and Modernist Limited Editions (Lise Jaillant)
Part 3: Publishing Modernism after the Second World War
9. New Directions Books (Greg Barnhisel)
10. Grove Press and Samuel Beckett: A Necessary Alliance (Loren Glass)
11. Calder and Boyars (Adam Guy)
12. Cape Goliard (Matthew Sperling)
References
