Distributed Cognition in Medieval and Renaissance Culture (The Edinburgh History of Distributed Cognition)

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Distributed Cognition in Medieval and Renaissance Culture (The Edinburgh History of Distributed Cognition)

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  • 製本 Hardcover:ハードカバー版/ページ数 376 p.
  • 言語 ENG
  • 商品コード 9781474438131
  • DDC分類 153

Full Description

This collection brings together 14 essays by international specialists in Medieval and Renaissance culture and provides a general and a period-specific introduction to distributed cognition and the cognitive humanities. The essays bring recent insights in cognitive science and philosophy of mind to bear on how cognition is seen as distributed across brain, body and world. The volume includes essays on law, history, drama, literature, art, music, philosophy, science and medicine, covering topics such as the mind, life and soul; the body and environment; the emotions; language and linguistic theories; theory of mind and interaction theory; the self and subjectivity; social, material and conceptual environments; the memory arts, orality and literacy; and literature and the arts.

Contents

1. Series Introduction: Distributed Cognition and the HumanitiesMiranda Anderson, Michael Wheeler and Mark Sprevak

2. Introduction: Distributed Cognition in Medieval and Renaissance StudiesMiranda Anderson

3. Medieval Icelandic Legal Treatises as Tools for External Scaffolding of Legal Cognition Werner Schäfke

4. Horse-Riding Storytellers and Distributed Cognition in Chaucer's Canterbury Tales Guillemette Bolens

5. Cognitive Ecology and the Idea of Nation in Late-Medieval Scotland: The Flyting of William Dunbar and Walter KennedyElizabeth Elliott

6. The Mead of Poetry: Old Norse Poetry as a Mind-Altering SubstanceHannah Burrows

7. Enculturated, Embodied, Social: Medieval Drama and Cognitive IntegrationClare Wright

8. Ben Jonson and the Limits of Distributed CognitionRaphael Lyne

9. Masked Interaction: The Case for an Enactive View of Commedia dellArte (and the Italian Renaissance)Jan Söffner

10. Thinking with the Hand: The Practice of Drawing in Renaissance ItalyCynthia Houng

11. The Medieval (Music) Book: A Multimodal Cognitive ArtefactKate Maxwell

12. Distributed Cognition, Improvisation and the Performing Arts in Early Modern EuropeEvelyn Tribble and Julie E. Cumming

13. Pierced with Passion: Brains, Bodies and Worlds in Early Modern TextsDaniel T. Lochman

14. Metaphors They Lived By: The Language of Early Modern IntersubjectivityHannah Chapelle Wojciehowski

15. Le Sigh: Enactive and Psychoanalytic Insights into Medieval and Renaissance Paralanguage L. O. Aranye Fradenburg

16. 'The Adding of Artificial Organs to the Natural': Extended and Distributed Cognition in Robert Hooke's MethodologyPieter Present

Notes on ContributorsBibliography

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