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Full Description
The writings of Jacques Derrida have had a profound but complex influence on both film studies and on feminism. In the first work of its kind, Deconstruction, Feminism, Film explores the interconnections between these three fields through detailed filmic and philosophical close readings. Employing a dual feminist methodology of critique and generation, this book probes the feminist faultlines in Derrida's thought and generates original feminist insight into key concerns of contemporary film studies, including spectatorship, realism vs artifice, narrative, adaptation, auto/biography and the still. In theory and in practice, Deconstruction, Feminism, Film performs the possibilities of a new twenty-first century feminist spectatorship.
Contents
Acknowledgements
Abbreviations of Works Cited by Jacques Derrida
List of Illustrations
INTRODUCTION: DEPARTING FROM PROUST
CHAPTER ONE: DECONSTRUCTION, FEMINISM, FILM
It-Woman vs We-Women
Singular Spectatorship
CHAPTER TWO: SUPPLANTING SPECTRALITY
The Incidental Philosopher
Feminist Trompe L'Oeil
Feminist Camp Artifice
CHAPTER THREE: FEMINIST COUNTERSIGNATURE
Female Infidelity
Adaptation as Reproduction
Phenomenal Film
Dorsal Philosophy
CHAPTER FOUR: AUTO/BIOGRAPHY
Biography, or, the Realist Paradox
Quer Autobiography (directed sideways)
Obstructive Piety
'We all being everyone but you'
The Mediated 'I'
CHAPTER FIVE: HOW DO I LOOK?
He Can't See Queerly
Metonymic Reading
Veering from Borges
Bibliography
Filmography
Index
