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Full Description
The first study of nineteenth-century replication across art, literature, science, social science and humanities This landmark study explores replication as a nineteenth-century phenomenon. Replication, defined by Victorian artists as subsequent versions of a first version, similar but changed, occurred in art, literature, the press, merchandising, and historical reproductions in architecture and museums. Replication also shaped scientific concepts in biology and geology and scientific practices in laboratories that repeated experiments as part of the scientific method. Fourteen case studies map a range of nineteenth-century replication practices and associations across art, literature, science, media and material culture. While replication stirred imaginations as well as anxieties over the industrialisation that produced a modern mass culture, Replication in the Long Nineteenth Century suggests, nonetheless, that this phenomenon is a forerunner of our contemporary digital culture.
Key Features
The first historical study of nineteenth-century replicationIncludes multidisciplinary case studies that rest on archival research as well as theory and analysisEstablishes a model for studying period concepts across disciplines and practicesEnhances understanding of the immense impact of digitization by illuminating its pre-history
Contents
Acknowledgements
List of Illustrations
Chapter 1: Introduction
Remakings: Replications and Reproductions in the Nineteenth Century
Julie Codell and Linda K Hughes
I. Replication and Networks
Chapter 2. Replication of Things: The Case for Composite Biographical Approaches
Sally M Foster
Chapter 3. Transatlantic Autograph Replicas and the Uplifting of American Culture
Julie Codell
Chapter 4. "Petty Larceny" and "Manufactured Science": Nineteenth-Century Parasitology and the
Politics of Replication
Emilie Taylor-Brown
Chapter 5. Portraying and Performing the Copy, c. 1900
Dorothy Moss
II. Replication and Technology
Chapter 6: Replicating Tennyson's The Princess, 1847-1853
Linda K. Hughes
Chapter 7. Paisley/Kashmir: Mapping the Imitation Indian Shawl
Suzanne Daly
Chapter 8. William Morris and the Form and Politics of Replication
Elizabeth Miller
Chapter 9. Text and Media Replication During the US-Mexican War, 1846-1848
Kathryn Ledbetter
III. Replication and Authenticity
Chapter 10. Literary Replication and the Making of a Scientific "Fact": Richard Owen's Discovery
of the Dinornis
Gowan Dawson
Chapter 11. Copying from Nature: Biological Replication and Fraudulent Imposture in Grant Allen's
An African Millionaire
Will Abberley
Chapter 12. The Failure of Replication in Nineteenth-Century Literature: Why it All Just Comes Out
Wrong
Dan Bivona
IV. Replication and Time
Chapter 13. "Seeking Nothing and Finding It": Moving On and Staying Put in Mugby Junction
James Mussell
Chapter 14. The Origins of Replication in Science
Ryan D. Tweney
Chapter 15. Fathers, Sons, Beetles, and "a family of hypotheses": Replication, Variation and Information
in Gregory Bateson's Reading of William Bateson's Rule
David Amigoni
V: Afterword: Implications of Nineteenth-Century Replication Culture
Julie Codell and Linda Hughes
Notes on Contributors
