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Full Description
The New Soundtrack brings together leading edge academic and professional perspectives on the complex relationship between sound and moving images. Former editors of The Soundtrack, Stephen Deutsch, Larry Sider and Dominic Power, bring their expertise to this project, providing a new platform for discourse on how aural elements combine with moving images. The New Soundtrack also encourages writing on more current developments, such as sound installations, computer-based delivery, and the psychology of the interaction of image and sound. The journal has an illustrious Editorial Board containing some of the most prominent people working with sound in the arts and media and the discourse which surrounds it. The New Soundtrack includes contributions from recognised practitioners in the field, including composers, sound designers and directors, giving voice to the development of professional practice, alongside academic contributions.
Contents
Photographic Sound Art and the Silent Modernity of Walter Ruttmann's Weekend (1930)Andy Birtwistle
The Spatial Politics of the Voice in Patrick Keiller's Robinson in Ruins (2010)Paul Newland
The Undersea World of the Sound Department: The Construction of Sonic Conventions in Sub-aqua Screen Environments David Malcolm Chapman
The Magic of the Space: An interview with Niall Brady and Steve Fanagan about Room (2015)Nessa Johnston
Spontaneous Composition for Screen: linear and non-linear improvisation for instruments and electronicsYati E. Durant
Sound, Space, Gravity: A Kaleidoscopic Hearing (part II)Dong Liang
